The men parade and march in the courtyard outside the building. The caption says that they are being inspected by General Galopin, but he is not clearly identifiable.
Newsreel item on French troo...
The two men are in a village in the rear areas. Lipton guides the Prince up to the camera. The Prince exchanges a few words with a convalescent Serbian soldier. A portrait shot of the Prince.
New...
The men file up the gangplank of SS Doukkala at Marseilles harbour. The ship then sails.
Newsreel item on men of the Foreign Legion embarking from Marseilles for Morocco, autumn 1912.
The airship is a non-rigid closely resembling the British SS and SSZ types. It comes in to land over a field. Its groundcrew steady it on landing, then back it into its shed.
Newsreel item on a n...
The chimney is on the colliery site. It falls with a single explosion and men come forward to clear the rubble.
Newsreel item on the demolition of a colliery chimney, Burnopfield, Durham, March 1...
The 300 mile race around a dirt track at Venice, California, is shown, very briefly, in progress.
Newsreel item on a motorcycle race in California, early 1915.
Newsreel item on two new coastguard cutters being launched down the slipway at Newport News, Virginia, early 1915.
I. Newsreel item on the steamer SS Espiègle showing it run aground at Penzance on the rocks, probably 1912.II. Newsreel item on Captain R F Scott showing a painting of his head, presumably just after...
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...