The body, on the seashore at Alexandria, is wrapped in a burial cloth and tended by Indian soldiers. One soldier takes a bucket and pours seawater over the body. According to the caption the body was ...
As Karl, leading the procession on horseback, reaches the coronation mound, he urges his horse up to the mound and halts to take a coronation oath.
Fragment from the coronation of Emperor Karl of...
British soldiers dig the bombs out of the ground. A major turns one over in his hands (they are quite small).
Newsreel item on German incendiary bombs dropped near Faversham, Kent, March 1915.
The troops are in trenches well below the snowline, doing general maintenance work. The Archduke wanders along the lines of camouflaged positions, completely informally, occasionally stopping to talk ...
The single limber, which shows some damage, is in a town square and draws the attention of passing civilians.
Newsreel item showing a wrecked German ammunition limber "destroyed by Belgian gunner...
The two destroyers escort the camera ship through the Channel. One comes in close on the port bow.
Newsreel item on two L Class destroyers in the English Channel, autumn 1914.
Clémenceau uses neither helmet nor gasmask. He begins at a senior officers' headquarters and goes down into the trenches to talk to the troops.
Newsreel item on Prime Minister Clémenceau visiti...
The men line up in the open for the pay parade, and come forward in turn to collect their pay from the officers' table.
Newsreel item on a pay parade for a Royal Artillery unit in England, March ...
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...