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Videot
(3074 Tulokset)

Mogiła Nieznanego Żołnierza
Feature film
1927
Filmoteka Narodowa

Kapitan Łazowski wyrusza na front pierwszej wojny światowej. Po bitwie przegranej z siłami rosyjskimi, dostaje się do niewoli. Zawiłe koleje losów kapitana przeplatają się z historią jego żo...

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[AUSTRO-HUNGARIANS IN PRZEMYSL 2] [Allocated]
1915
Imperial War Museums
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- [AUSTRO-HUNGARIANS IN PRZEMYSL 2] [Allocated]

The American cinematographer Albert K Dawson and a civilian wander through the woods, which show damage after the battle.
Brief film of the woods near Przemysl after the Russian retreat, Eastern...

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PATHE GAZETTE [1915] (fragment 1) [Main]
1915
Imperial War Museums

Columns of Serbian troops, led by their decorative regimental standards, march in full kit out to the harbour and onto their troopships.
Newsreel item of Serbian forces boarding troopships in Alb...

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PATHE GAZETTE [1915] (fragment 2) [Main]
1915
Imperial War Museums

The men, "our gallant colonials," come from all the colonies. They wear a mixture of uniform.
Newsreel item on men of 1st King Edward's Horse setting out on a training ride in England in summer, ...

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the RETURN OF SIR GEORGE WHITE [Main]
1900
Imperial War Museums

Crowds line the streets, held back by soldiers, as the military parade (always in long shot) passes by. In the centre of the parade is General White with his staff.
The ceremonial parade through ...

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[UNVEILING STATUE OF GORDON] [Allocated]
1902
Imperial War Museums
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- [UNVEILING STATUE OF GORDON] [Allocated]

The crowds wait for the ceremony. The dignitaries arrive, and the Duke of Cambridge, the former Commander-in-Chief, unveils the statue of Gordon on his camel.
The unveiling of the statue of Gener...

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GAUMONT GRAPHIC 151 (fragment 1) [Main]
1912
Imperial War Museums

Single sculls (not racing boats) are raced. This is followed by a gondoliers' race, then coxed fours and pairs, all by the waterfront. Next shown are racing sailboats, filmed from a nearby boat which ...

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the BATTLE OF CARENCY (fragment 1) [Main]
1915
Imperial War Museums

A French soldier leads a wounded German prisoner "stupefied by the force of the French bombardment" to the rear along a railway track. A French soldier holds up for the benefit of the camera a number ...

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Kuvat
(4430 Tulokset)

Poručík Alexander Rjepkin - picture 7
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 7

Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...

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Poručík Alexander Rjepkin - picture 10
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 10

Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...

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Poručík Alexander Rjepkin - picture 12
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 12

Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...

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Poručík Alexander Rjepkin - picture 13
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 13

Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...

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Poručík Alexander Rjepkin - picture 15
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 15

Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...

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Poručík Alexander Rjepkin - picture 16
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 16

Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...

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Poručík Alexander Rjepkin - picture 17
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 17

Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...

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Poručík Alexander Rjepkin - picture 18
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 18

Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...

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Tekstit
(661 Tulokset)

Die Kommunalisierung
Article
1919
DFF – Deutsches Filminstitut & Filmmuseum

Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...

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Kino und Schule. Von Prof. Dr. A. Sellmann
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...

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Filmprogramm von "Gebrochene Schwingen"
Programme
1913
DFF – Deutsches Filminstitut & Filmmuseum
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Kriegsecho in der Kinomusik
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.

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Filmprogramm von "Das Opfer"
Programme
1912
DFF – Deutsches Filminstitut & Filmmuseum
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Der Aufklärungsfilm
Article
1919
DFF – Deutsches Filminstitut & Filmmuseum

R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...

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Die Kinematographie der Töne
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...

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Kritik aus Deutsche Tageszeitung, ohne Datum
Review
DFF – Deutsches Filminstitut & Filmmuseum
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