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Videot
(3074 Tulokset)

Mogiła Nieznanego Żołnierza
Feature film
1927
Filmoteka Narodowa

Kapitan Łazowski wyrusza na front pierwszej wojny światowej. Po bitwie przegranej z siłami rosyjskimi, dostaje się do niewoli. Zawiłe koleje losów kapitana przeplatają się z historią jego żo...

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[AUSTRO-HUNGARIANS IN PRZEMYSL 2] [Allocated]
1915
Imperial War Museums
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- [AUSTRO-HUNGARIANS IN PRZEMYSL 2] [Allocated]

The American cinematographer Albert K Dawson and a civilian wander through the woods, which show damage after the battle.
Brief film of the woods near Przemysl after the Russian retreat, Eastern...

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PATHE GAZETTE [1915] (fragment 1) [Main]
1915
Imperial War Museums

Columns of Serbian troops, led by their decorative regimental standards, march in full kit out to the harbour and onto their troopships.
Newsreel item of Serbian forces boarding troopships in Alb...

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PATHE GAZETTE [1915] (fragment 2) [Main]
1915
Imperial War Museums

The men, "our gallant colonials," come from all the colonies. They wear a mixture of uniform.
Newsreel item on men of 1st King Edward's Horse setting out on a training ride in England in summer, ...

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the RETURN OF SIR GEORGE WHITE [Main]
1900
Imperial War Museums

Crowds line the streets, held back by soldiers, as the military parade (always in long shot) passes by. In the centre of the parade is General White with his staff.
The ceremonial parade through ...

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[UNVEILING STATUE OF GORDON] [Allocated]
1902
Imperial War Museums
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- [UNVEILING STATUE OF GORDON] [Allocated]

The crowds wait for the ceremony. The dignitaries arrive, and the Duke of Cambridge, the former Commander-in-Chief, unveils the statue of Gordon on his camel.
The unveiling of the statue of Gener...

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GAUMONT GRAPHIC 151 (fragment 1) [Main]
1912
Imperial War Museums

Single sculls (not racing boats) are raced. This is followed by a gondoliers' race, then coxed fours and pairs, all by the waterfront. Next shown are racing sailboats, filmed from a nearby boat which ...

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the BATTLE OF CARENCY (fragment 1) [Main]
1915
Imperial War Museums

A French soldier leads a wounded German prisoner "stupefied by the force of the French bombardment" to the rear along a railway track. A French soldier holds up for the benefit of the camera a number ...

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Kuvat
(4430 Tulokset)

Poručík Alexander Rjepkin - picture 53
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 53

Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...

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Poručík Alexander Rjepkin - picture 55
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 55

Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.

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Poručík Alexander Rjepkin - picture 56
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 56

Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.

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Poručík Alexander Rjepkin - picture 57
Set photo
1937
Národní filmový archiv
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- Poručík Alexander Rjepkin - picture 57

Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.

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Za československý stát - picture 5
Set photo
1928
Národní filmový archiv
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- Za československý stát - picture 5

Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...

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Za československý stát - picture 11
Set photo
1928
Národní filmový archiv
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- Za československý stát - picture 11

Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.

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Za československý stát - picture 12
Set photo
1928
Národní filmový archiv
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- Za československý stát - picture 12

After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).

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Za československý stát - picture 17
Set photo
1928
Národní filmový archiv
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- Za československý stát - picture 17

Farmer Tomeš and his son Jeníček with the oxcart full of straw.

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Tekstit
(661 Tulokset)

Kinematographie und Krieg
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Hermann Häfker, Kinematographie und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 1-3. Der Krieg sei der Sache der Kinoreform förderlich, weil die aus...

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Kino und Wahlagitation
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Waldner, Dagmar. "Kino und Wahlagitation." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 174. Bericht über den Einsatz des Films, um die Wähler über die Notwend...

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Große Protest-Versammlung
Article
1920
DFF – Deutsches Filminstitut & Filmmuseum

Große Protest-Versammlung, Der Kinematograph, 678, (1920), S. 3. Aufruf zu einer Protestveranstaltung gegen die Verstaatlichung der Kinos.

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Warum ich für den Film spiele. Aufsatz, 1914
Production material
DFF – Deutsches Filminstitut & Filmmuseum
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Kurbelmann im Kriegsdienst
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Kurbelmann im Kriegsdienst, Der Kinematograph, 436, (1915), S. 21-24. Aus der Wiener Arbeiter-Zeitung zitierter Bericht über die Erlebnisse eines Kriegsfilmers.

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Kritik aus Straßburger Post (21.11.1916)
Review
21.1
DFF – Deutsches Filminstitut & Filmmuseum
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Gabriele d'Annunzio als Filmdichter
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Rennert, Malwine. „Gabriele d'Annunzio als Filmdichter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 9/10 (1913/1914): 210-213. Rennert lobt den Film über alle Maßen, w...

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Ein Kinematographengesetz in Württemberg
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

O. Verf.. „Ein Kinematographengesetz in Württemberg.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 3/4 (1913/1914): 73. Jeder Film, der öffentlich vorgeführt werde, mü...

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