Kapitan Łazowski wyrusza na front pierwszej wojny światowej. Po bitwie przegranej z siłami rosyjskimi, dostaje się do niewoli. Zawiłe koleje losów kapitana przeplatają się z historią jego żo...
The American cinematographer Albert K Dawson and a civilian wander through the woods, which show damage after the battle.
Brief film of the woods near Przemysl after the Russian retreat, Eastern...
Columns of Serbian troops, led by their decorative regimental standards, march in full kit out to the harbour and onto their troopships.
Newsreel item of Serbian forces boarding troopships in Alb...
The men, "our gallant colonials," come from all the colonies. They wear a mixture of uniform.
Newsreel item on men of 1st King Edward's Horse setting out on a training ride in England in summer, ...
Crowds line the streets, held back by soldiers, as the military parade (always in long shot) passes by. In the centre of the parade is General White with his staff.
The ceremonial parade through ...
The crowds wait for the ceremony. The dignitaries arrive, and the Duke of Cambridge, the former Commander-in-Chief, unveils the statue of Gordon on his camel.
The unveiling of the statue of Gener...
Single sculls (not racing boats) are raced. This is followed by a gondoliers' race, then coxed fours and pairs, all by the waterfront. Next shown are racing sailboats, filmed from a nearby boat which ...
A French soldier leads a wounded German prisoner "stupefied by the force of the French bombardment" to the rear along a railway track. A French soldier holds up for the benefit of the camera a number ...
Hella Moja, Claire Selo (from left to right)
Paul Wegener
Hedda Lembach, Alice Verden (from left to right)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Still from "Heimkehr"
Szene aus "Der rote Baron"
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...