Kapitan Łazowski wyrusza na front pierwszej wojny światowej. Po bitwie przegranej z siłami rosyjskimi, dostaje się do niewoli. Zawiłe koleje losów kapitana przeplatają się z historią jego żo...
The American cinematographer Albert K Dawson and a civilian wander through the woods, which show damage after the battle.
Brief film of the woods near Przemysl after the Russian retreat, Eastern...
Columns of Serbian troops, led by their decorative regimental standards, march in full kit out to the harbour and onto their troopships.
Newsreel item of Serbian forces boarding troopships in Alb...
The men, "our gallant colonials," come from all the colonies. They wear a mixture of uniform.
Newsreel item on men of 1st King Edward's Horse setting out on a training ride in England in summer, ...
Crowds line the streets, held back by soldiers, as the military parade (always in long shot) passes by. In the centre of the parade is General White with his staff.
The ceremonial parade through ...
The crowds wait for the ceremony. The dignitaries arrive, and the Duke of Cambridge, the former Commander-in-Chief, unveils the statue of Gordon on his camel.
The unveiling of the statue of Gener...
Single sculls (not racing boats) are raced. This is followed by a gondoliers' race, then coxed fours and pairs, all by the waterfront. Next shown are racing sailboats, filmed from a nearby boat which ...
A French soldier leads a wounded German prisoner "stupefied by the force of the French bombardment" to the rear along a railway track. A French soldier holds up for the benefit of the camera a number ...
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Still with Uschi Elleot
Poster design
Spectator. "Der heutige Stand der Kinoreform." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/ 1914): 49-56. Der Autor warnt vor den Gefahren, die vom Kino ausgingen un...
Rennert, Malwine. „"Schatten im Licht“, eine Schmähschrift gegen die Lichtbilderei M.Gladbach." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 195-196. Rennert...
Schumacher, Carl. "Zur 'Kinodramatik'." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 63-64. Schumacher stellt die Abwesenheit von Dialogen als das Hauptproblem...
Der Soldat und das Kino, Der Kinematograph, 420, (1915), S. 11-12. In vielen Kinos würden Soldaten auf Heimaturlaub einen Großteil des Publikums bilden. Viele Kinobesitzer würden glauben, dass dies...
Der soziale Film, Der Kinematograph, 630, (1919), S. 14. Rezension zu "Mutter Erde" von Johannes Gaulke und Heinrich Ilgenstein.