Giovanni Fattori (Livorno, 1825 – Firenze, 1908) è uno dei maggiori esponenti del movimento pittorico dei macchiaioli, nato in Toscana nella seconda metà dell’Ottocento e caratterizzato da...
1. Moscow. The murder of comrades Karl Liebknecht and Rosa Luxemburg raised a storm of protest in the hearts of the Russian proletariat.
Documentary about the life of Belgian refugees in a Dutch refugee camp At the beginning of the First World War, camps were set up in several Dutch cities for Belgian refugees. Gouda was one of the pla...
Portrait of the Harlem film studio Hollandia, where, led by Maurits Binger in the period of 1912-1923 about sixty full-lenghth feature films and a hundred documentaries were made, and which formed th...
Private footage of Feiko Boersma Feiko Boersma was one of the two cameramen at Filmfabriek Hollandia. His private collection of films contained footage that he shot in Hollandia's studio in Haarlem. T...
Compilation mainly consisting of images of Fokker. Furthermore images of the Fokker airplane factory in Germany and the Netherlands, the first passenger flight to the Dutch East Indies, car races, var...
Reportage about the coronation festivities around the inauguration of Queen Wilhelmina of the Netherlands.
Reportage about the baptism of Princess Juliana on June 5, 1909 The film opens with the departure of the Golden coach from Noordeinde Palace. In the carriage are Queen Wilhelmina, Princess Juliana, an...
Still from "Was Liebe vermag"
Still from "Christa Hartungen"
Gustav Fröhlich, Lars Hanson (from left to right)
Still from "Die Topharmumie"
Luis Trenker
Lyda Salmonova
Screenshot from "Die Lokomobil-Fabrik R. Wolf Magdeburg-Buckau"
Szene aus "Der rote Baron"
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...