Giovanni Fattori (Livorno, 1825 – Firenze, 1908) è uno dei maggiori esponenti del movimento pittorico dei macchiaioli, nato in Toscana nella seconda metà dell’Ottocento e caratterizzato da...
1. Moscow. The murder of comrades Karl Liebknecht and Rosa Luxemburg raised a storm of protest in the hearts of the Russian proletariat.
Documentary about the life of Belgian refugees in a Dutch refugee camp At the beginning of the First World War, camps were set up in several Dutch cities for Belgian refugees. Gouda was one of the pla...
Portrait of the Harlem film studio Hollandia, where, led by Maurits Binger in the period of 1912-1923 about sixty full-lenghth feature films and a hundred documentaries were made, and which formed th...
Private footage of Feiko Boersma Feiko Boersma was one of the two cameramen at Filmfabriek Hollandia. His private collection of films contained footage that he shot in Hollandia's studio in Haarlem. T...
Compilation mainly consisting of images of Fokker. Furthermore images of the Fokker airplane factory in Germany and the Netherlands, the first passenger flight to the Dutch East Indies, car races, var...
Reportage about the coronation festivities around the inauguration of Queen Wilhelmina of the Netherlands.
Reportage about the baptism of Princess Juliana on June 5, 1909 The film opens with the departure of the Golden coach from Noordeinde Palace. In the carriage are Queen Wilhelmina, Princess Juliana, an...
Still from "Der Feind im Land"
Still from "Der Geiger von Meißen"
Still from "Der Schwur der Renate Rabenau"
Lyda Salmonova, Paul Wegener
Paul Wegener
Still from "Der Film von der Königin Luise. 2. Abteilung: Aus Preußens schwerer Zeit"
"Der Golem, wie er in die Welt kam" (1920)
Film poster
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...