After eating a full bag of popato chips, Cardo is very thirsty, but he hasn't got a penny to buy a drink.
King Alphonso XIII visits the province of Jaén (Andalusia, Spain), its farming activities and its old monuments.
As the daughter of filthy rich parents, a young dentist can afford to treat her patients for free. Her fiancé is dismissive of women's professionalism, claiming that no one would let her treat them i...
Where is Alex? In vain, Alice von Reizenstein searches for her husband until she finally discovers him dead drunk under his desk. Shortly after, the postman brings the couple good and bad news. The go...
Footage from the first German series of news films, the "Day in Film" format produced by Express-Film (Freiburg), showing a bobsledding race with spectators in an Austrian mountain landscape. Short "a...
This fragment of the "Eiko Week," one of the first newsreels produced in Germany, shows soldiers (possibly Russian prisoners of war) surrendering their rifles, infantry in the plains, a unit crossing ...
Giovanni Fattori (Livorno, 1825 – Firenze, 1908) è uno dei maggiori esponenti del movimento pittorico dei macchiaioli, nato in Toscana nella seconda metà dell’Ottocento e caratterizzato da...
Alice Verden
Still from "Christa Hartungen"
Gustav Fröhlich, Lars Hanson (from left to right)
Ossi Oswalda, Julius Dewald
Screenshot from "Die Lokomobil-Fabrik R. Wolf Magdeburg-Buckau"
Szene aus "Der rote Baron"
Alice Verden, Erich Ponto
Still from "Reingefallen"
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...