After eating a full bag of popato chips, Cardo is very thirsty, but he hasn't got a penny to buy a drink.
King Alphonso XIII visits the province of Jaén (Andalusia, Spain), its farming activities and its old monuments.
Where is Alex? In vain, Alice von Reizenstein searches for her husband until she finally discovers him dead drunk under his desk. Shortly after, the postman brings the couple good and bad news. The go...
Arrival of the NCO candidates in Wetzlar. The soldiers are expected at Wetzlar station by the gendarme Otto Wallenreich, among others. After the arrival of the train, dignitaries, including the admini...
The toned footage shows the destruction of the Russian port city of Novorossiisk after being shelled by the Turkish cruiser Midilli (formerly SMS Breslau) on October 29, 1914. The devastating attack w...
This fragment of the "Eiko Week," one of the first newsreels produced in Germany, shows soldiers (possibly Russian prisoners of war) surrendering their rifles, infantry in the plains, a unit crossing ...
In the Berchtesgaden region of the 15th century, a love affair develops between Lambert, the son of a magistrate, and Jula, a farmer's daughter. But a misunderstanding over grazing rights leads to a b...
Alice Verden
Still with Lyda Salmonova
Szene aus "Westfront 1918"
Paul Wegener
Erich Ponto, Alice Verden
Szene aus "Der rote Baron"
Adolf Klein (on the left), Henny Porten, Theodor Loos, Olga Engl (sitting, from left to right)
Szene aus "Aus dem Buche des Lebens"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...