Comedy in which Polidor, assumed the pads regenerating, acquires an incredible force.
Frammento di uno dei diversi documentari che Comerio girò durante la guerra Italo-Turca (1911-1912). Si tratta dell'unico combattimento di un certa rilevanza nella zona di Bengasi avvenuto nell'oasi ...
Cossacks on horseback are trained under the eyes of the viceroy.
Twentieth series of newsreels produced by Cines on the Italo-Turkish war.
Za La Mort (Emilio Ghioen) lives in the countryside with his girlfriend Za La Vie (Kally Sambucini). A day does a good deed by taking with him Leo, an orphan found on the street. This situation, howev...
Za La Mort (Emilio Ghioen) lives in the countryside with his girlfriend Za La Vie (Kally Sambucini). A day does a good deed by taking with him Leo, an orphan found on the street. This situation, howev...
Fricot is married, but his wife combines an incredible series of troubles that make life hard for Fricot.
Fragment of a newsreel made during the First World War, in which the Admiral Thaon di Revel proclaims the victory of an unidentified battle. The voice was played by a record.
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...