The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Holidaymakers setting out from Glasgow, and travelling by train and steamer down the coast to Rothesay and Ettrick Bay. Includes tracking shots from tram in Sauchiehall Street.
A demonstration on how to use a Seine net for trawling. This film was planned by the Marine Laboratory Aberdeen, as part of their research programme on the efficiency of fishing gear. "Grateful ackn...
A look at the social and economic changes in Scotland during the 1950s, after the upheaval of the war. From the restoration of Iona Abbey to the development of new industries.
The Forth and Clyde Canal's operations on its last year of use.
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
A history of the Forth and Clyde Canal.
Sponsored by Glasgow Corporation Education Committee, this educational film introduces the chief tools used by the carpenter.
Stan Laurel and Oliver Hardy sightseeing in Edinburgh where they visit the castle and make an appearance on stage at the Playhouse Cinema.
Thomas Riedelsheimer (Mitte), Andy Goldsworthy (rechts) bei den Dreharbeiten zu "Rivers and Tides" (1998-2001)
Volker Michalowski (Mitte), Gael García Bernal (rechts) in "Salt and Fire" (2015/16)
Volker Michalowski, Veronica Ferres, Gael García Bernal (vorne v.l.n.r.) in "Salt and Fire" (2015/16)
I Sydafrika berører religion alle dele af samfundet. Med tusinder af mennesker, der dør af aids, er religionerne i dag konfronteret med en virkelighed, som rækker ud over deres verdenssyn. Filmen g...
35 mm - NB
Eventyrlig historie om kampen mellem ondt og godt i en fjern ahistorisk tid, hvor troldmænd og dragedræbere var en realitet.
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...