Made for screening at the 1925 World Educational Congress Edinburgh, the film gives a survey of the educational opportunities offered in Edinburgh from infants up to senior pupils.
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
A football match between Elgin City and an unidentified team, and the Inspection and Presentation of Colours of the Boys' Brigade (Inverness Battalion).
A documentary, narrated and directed by Sean Connery, on the turbulent industrial relations of the workforce of Fairfield's shipyard on the Clyde during the mid 1960s.
A demonstration on how to use a Seine net for trawling. This film was planned by the Marine Laboratory Aberdeen, as part of their research programme on the efficiency of fishing gear. "Grateful ackn...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961. The 1957 Industrial Fair and Exhibition in Sydney, Australia where Babcock and Wilcox Australion Co. had a ...
One of a series of 20 films made for Babcock and Wilcox between 1954 and 1961, it illustrates the firm's involvement with atomic power and their construction of a reactor pressure vessel at Hinkley Po...
The sculptor Benno Schotz at work in his studio in Glasgow, and demonstrating his technique. The film examines his working methods and the themes running through his work. Much of his work is as a m...
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Szene aus "Noise and Resistance"
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (rechts) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Veronica Ferres, Michael Shannon in "Salt and Fire" (2015/16)
Szene mit David Thornton
Hellwig, Albert. „Gebühren der Filmzensur.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 259-263. Bericht über die Zensurgebühren.
O. Verf.. „Aus Schweden.“ Der Kinematograph 380 (1914). Bericht über den Einsatz des Films als Werbemedium für die schwedische Armee.
Der Kampf gegen die deutschfeindliche ausländische Kinoindustrie, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 9-11. Die deutsche Filmbranche sei noch immer ...
Martin Dentler GmbH. „Die richtigen Films zur richtigen Zeit.“ Der Kinematograph, 401 (1914): 11. Werbeanzeige, die mit der Bedeutung der beworbenen Filme angesichts des Krieges wirbt.
C.Z.K.. „Presseschau.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 89-90. Der Autor zitiert mehrere Pressestimmen, die den kulturellen Wert des Films herv...