Various newsreel items. Among others, general Gouraud makes a speech during a memorial service of the First World War at the Tomb of the Unknown Soldier in Paris.
Documentary about the life of King Albert I of Belgium. The film is entirely composed of archival footage.
Biography about Adolphe Max (1869-1939), former mayor of Brussels. In 1914 he was arrested and imprisoned because of his resistance against the German oppressor.
Coverage on the visit of Danish King Christian X to Belgium a few months before the start of World War One.
Retrospect on some of Cardinal Mercier's public attendances, followed by a report on Cardinal Mercier's funeral.
Newsitems. Amongst others, General Foch and Johnson having a conversation.
An unidentified news report about various aspects of the First World War. Great emphasis is being placed on the British Army and the recruitment of soldiers.
War-time report, probably broadcasted in November 1919.
Boy and girl in folk costume. Behind them stands Tomáš Garrigue Masaryk on suit and hat.
Tomáš Garrigue Masaryk and American flags.
Crowd in front of some Austrian institution.
Boy and girl in the meadow in folk costumes embrace each other. Behind them stands Tomáš Garrigue Masaryk and touches girl´s head.
Close-up of Adina Mandlová's face in the role of Nurse Mathilde.
Janda (smith) at work.
The battle of Zborov: Austrian soldier (left) and Russian one in the Austrian trenches.
The battle of Zborov: Three sodliers in a trench.
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...