The men, some in uniform and others in civilian clothes, drive in a fleet of cars through central London to the cheers of the watching crowds. (King George is not shown.) According to the caption ther...
The soldiers bring the full coaltrucks out to the surface of the mine. The coal is dumped from the trucks and horse-wagons are loaded from the dump. A traction engine runs a coal-crusher. A few soldie...
The hospital is of prefabricated buildings, signposted as the "Hôpital Benevole I Bis". The film captions emphasise that all the employees are women, some of whom are seen walking in the snow outside...
The men are due to serve with the French Army. They practise a river-crossing using pontoon ferries, drill and bayonet exercises on a parade ground, digging trenches in the scrub and making a mock att...
The Legion, led by its band, marches up to the front of the cathedral at Puy-les-Volontaires for a mass. The Legion in the main square at Breuil holds a review before its leaders while a number of civ...
The Italian General Pecori and General Maistre review the Sassari Brigade of the French Army, passing between the ranks. As the review is in progress a French Spad 13 overflies the parade twice, quite...
Well behind the lines, a mass of soldiers, most probably from 123rd Division semi-posed as if waiting for transport. A senior officer is with them, possibly Lieutenant-General de Riols de Fonclare, th...
Part of the area is flooded. A marching column sets out for the front lines. Engineers knock in stakes for wire defences in the second line and fix wire to them. A relief patrol moves up in single fil...
Szene mit Henny Porten
Szene mit Alice Verden (oben, links)
Henny Porten
Szene aus "Schuldig"
Erich Ponto (links), Hedda Lembach (oben), Alice Verden, Wolfgang Filzinger (vorne, rechts)
Gustav Fröhlich
Szene aus "Auf den Trümmern des Paradieses"
Szene aus "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Imperator Film GmbH, Wenn frei das Meer für deutsche Fahrt !, Der Kinematograph, 556, (1917), S. 30.
Walter Thielemann, Der Vaterländische Hilfsdienst und die Kinobranche, Der Kinematograph, 521/2 , (1916). Befürchtung, der Vaterländische Hilfsdienst könne die Kinobranche schwächen. Diese sei ab...
Kriegsanleihe-Filme, Der Kinematograph, 563, (1917), S. 22. Ankündigung neuer Trickfilme zur Werbung für die Kriegsanleihe. Sie werden allesamt als sehr unterhaltsam und technisch gelungen beschrieb...
Universum Filmverleih, Die Waffen nieder, Der Kinematograph, 620, (1918), S. 28-33.
Julius Sternheim, Propaganda-und Aufklärungsfilme, Der Kinematograph, 592, (1918), S. 12-14. Propagandafilme müssten maßgeblich eine Botschaft verfolgen, was sie oftmals zwangsläufig langatmig mac...
Hansa Filverleih GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 558, (1917), S. 19-21.
Notes on the film and its thematics (a fundraising event for the War Memorial).
2 film guides (brochures), 18 pages each, 1st. And 3rd. editions. Documentary about the ventriloquist and automata creator Francisco Sanz Baldoví, codirected by Maximiliano Thous and Sanz himself. It...