The archbishop and dignitaries leave the cathedral after the mass, and go into the cemetery where the archbishop pronounces a benediction over the graves. Everyone then leaves.A pan over the positions...
The men are French I Corps and British II Corps to the south. A mixed posed group of British and French soldiers talk with one another. British officers watch a French 75mm field gun crew opening fire...
Lorries full of French troops drive through the village of Montebello. French soldiers on the march in two parallel columns come out past the main church. Italian and French troops share a trench on t...
The men, some in uniform and others in civilian clothes, drive in a fleet of cars through central London to the cheers of the watching crowds. (King George is not shown.) According to the caption ther...
The soldiers bring the full coaltrucks out to the surface of the mine. The coal is dumped from the trucks and horse-wagons are loaded from the dump. A traction engine runs a coal-crusher. A few soldie...
The hospital is of prefabricated buildings, signposted as the "Hôpital Benevole I Bis". The film captions emphasise that all the employees are women, some of whom are seen walking in the snow outside...
The men are due to serve with the French Army. They practise a river-crossing using pontoon ferries, drill and bayonet exercises on a parade ground, digging trenches in the scrub and making a mock att...
The Legion, led by its band, marches up to the front of the cathedral at Puy-les-Volontaires for a mass. The Legion in the main square at Breuil holds a review before its leaders while a number of civ...
Szene aus "Die Topharmumie"
Luis Trenker
Lyda Salmonova
Screenshot aus "Die Lokomobil-Fabrik R. Wolf Magdeburg-Buckau"
Szene aus "Der rote Baron"
Alice Verden, Erich Ponto
Szene mit Alice Verden (oben, links)
Henny Porten
Nordisk Films GmbH, Jede Woche neue Kriegs-Aufnahmen, Der Kinematograph 406, (1914), S. 3. "Jede Woche abwechselnd neue Kriegsaufnahmen vom Westen und Osten (eigene Expeditionen)".
E. Osten, Kinematographie des Krieges, Erste Internationale Filmzeitung, 9.Jg., Nr.21, (1915), S. 16-18. Bericht über den Einsatz aus dem Flugzeug aufgenommener Filme zur Aufklärung feindlicher Stel...
Eiko Film. „"Eiko-Woche“ ist die beste Kriegsberichterstattung" Der Kinematograph 404 (1914): 1.
Rundschau, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,1, (1914/1915), S. 34-41. Berichte über Firmen, die mit Pathé Frères in Verbindung stünden und deshalb boykottiert we...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...