The group of ten men arrives by car at Australian Corps headquarters, Bertangles Château, where it is met by among others, Captain G E W Bean (in slouch hat) and Captain G H Wilkins, one of the Austr...
First a posed group of Rawlinson, Fourth Army commander, with his staff. Then, indoors, for the benefit of the camera Rawlinson traces a military manoeuvre on a wall map with a pair of dividers.The li...
I. (Reel 1) A panorama of Nazareth. Men of 4th Regiment, Australian Light Horse, entering Tiberias on 25 September. The bridge at Jisr Benat Yakub (which means 'the bridge of the daughters of Jacob')....
(Reel 21) The episode starts with 'Justice' and captioned newspaper clippings, "British forces in peril... more important than Kut". The decision to send the relief force on 4th April 1919 is reported...
The first third of the film is badly jumbled and shows repeated shots of the naval contingent (including the Royal Marines) led by Admiral Sir David Beatty, passing through Admiralty Arch and about to...
I. The film contrasts quotes from a German newspaper given as 'Westphalia Daily News' reporting the damage or destruction of prominent landmarks in the centre of London with film of those places taken...
(Reel 1) Partly through the limitations imposed on the filming of Japanese royalty and inside the various palaces, this film shows virtually nothing of the official ceremonies. The first half concentr...
Damage in the Roye-Soissons area, showing many of the smaller towns and villages. Destroyed fruit trees. A desecrated cemetery at Tergnier. Damaged houses at Coucy-la-Ville and Coucy-le-Château. The ...
Szene aus "Der Herzog von Reichstadt"
Szene aus "Der unsichtbare Zeuge"
Hans Mierendorff
Szene mit Lyda Salmonova, Paul Wegener (rechts, vorne)
Szene aus "Das blaue Zimmer"
Henny Porten, Alexander von Antalffy
Szene mit Asta Nielsen
Screenshot aus "Le 14 Juillet 1917. La fête des drapeau"
Rennert, Malwine. „Im Reich der Mütter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 267-269. Rennert führt das Versagen des Kinos als Erziehungsmitt...
L. Hamburger, Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 119. Die neu entstandene Gattung des Kriegsfilms zeichne sich durch übelsten Kitsch ...
O.Th. Stein, Kinematographische Kriegsberichterstattung, Film und Lichtbild, 3, (1914), S. 42-44. Der Film wird als sensationell bewertet, der Produzentenfirma Expreß-Films wird angeraten, diesen Weg...
Asta-Nielsen-Lichtspiele GmbH. „Bismarck. Die neuesten Aufnahmen aus den Kriegstagen.“ Der Kinematograph 400 (1914): 1. Werbung, mit dem Hinweis, dass der Stoff des Filmes den ernsten Kriegstagen ...