I. 'Admiralty Official Film "CLEARED FOR ACTION" Looking aft on a super Dreadnought of our great battle fleet which is cleared for action night and day.' LS aft down starboard side of quarterdeck of a...
I. 'Admiralty Official Film. THE KING ATTENDS "DIVISIONS". In the Navy "Divisions" is the equivalent to the regimental parade in the Army, the ship's crew assemble on the quarter deck to the playing o...
I. 'THE PIGEON AS POSTMAN. Taken up on motor cycle to the trenches the birds except for casualties, never fail to reach "home" behind the lines where the telegraphist sends on the message.' Pigeons ar...
I. 'WOMEN AS GUARD OF HONOUR. General Sir Francis Lloyd at the opening of the Recruiting Hut in Trafalgar Square for the Women's Army Auxiliary Corps popularly known in France as the "Waxs".' Preceded...
I. 'THE TANKS' SMASHING VICTORY. "The Tank Corps expects that every tank will do its damnedest." This signal was flashed by Brigadier-General Elles as he led the tanks into action and smashed the "imp...
I. 'KING & THE DOVER PATROL. H.M. presents medals to gallant skippers of the famous Drifter Patrol.' MS as the King, wearing overcoat and Army uniform, shakes hands with naval personnel - one army off...
I. 'WAITING AND WATCHFUL. French observers keep a sharp look out on the Champagne Front amid growing forests of wire.' MS of wire entanglements and pan right to show their extent. LS as French soldier...
I. 'GOVERNMENT'S ITINERANT WAR CINEMA. Lord Beaverbrook inspects fleet of Cine-Motors which will depict war truths in the villages.' MS over the lowered side of a truck to the rear compartment where a...
Szene aus "Das Geheimnis des Ingenieurs Branting"
Paul Hartmann
Szene aus "Der unsichtbare Zeuge"
Hans Mierendorff
Szene mit Lyda Salmonova, Paul Wegener (rechts, vorne)
Lyda Salmonova
Szene mit Henny Porten, Eduard von Winterstein (vorne), Lupu Pick (hinten, 4.v.l.)
Szene mit Alice Verden
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...