Both the fête and the film stress the fact that the Duchess was American. The children present her with a bouquet in their school playground. She addresses them while a child waves a US flag behind h...
The King, in Army uniform, watches the children at work on an allotment. He is joined by Queen Mary, with R E Prothero, the President of the Board of Agriculture, walking behind. A girl gives the Quee...
The item opens with a misplaced caption (from a missing item in the issue about Lord Northcliffe), then shows very briefly WAACs outside the church cheering, and press photographers at work.The captio...
The women work out of doors. One woman cuts off pieces of dough for loaves, a second weighs the pieces and a third rolls them into spheres. After baking, the women carry the trays out and loosen the l...
Theodore Roosevelt gives an open air speech in support of the war to a crowd of 5,000. He is shown in close-up as he speaks, face contorted with emotion. He is followed by a recruiting officer, who sh...
The Queen emerges into the palace courtyard. The Land Girls march past, bearing banners about the importance of the Home Front, and with a hay wagon behind them.The Royal party shakes hands with the w...
(Reel 1) Russian, or possibly Armenian, soldiers assisted by British troops to fire a 76.2mm Russian field gun. A wounded soldier on a stretcher is loaded into a lorry. A group of Armenian soldiers, o...
(Reel 1) The film's only caption, "Indian troops marching through Baghdad". They are wearing winter clothing. A British horse-drawn fire-engine leaves for a (staged ?) emergency. On the river there ar...
Dita Parlo, Gustav Fröhlich
Szene aus "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (v.l.n.r.)
Szene aus "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...