Mr Hughes's train arrives at Paddington Station and he gets out, shaking hands with an honour guard of Australian troops. He meets and poses with Mrs Emmeline Pankhurst and her daughter Christabel.
The King, in naval uniform, and the Queen visit the barracks to pay tribute to the sailors and marines involved. The Queen goes inside a hospital ward to talk with one of the patients. The royal party...
Balfour talks with the local vicar, then the two go with a procession to the church graveyard. The monument has doors in the form of a triptych which Balfour opens.The Queen arrives with Princess Mary...
People surge together through the streets of central London, waving Union Jacks and cheering. Charabancs and lorries pass up the Strand, their occupants also cheering. The crowd marches up the Mall to...
The horse-drawn hearse leads a crowd of mourners, mostly civilian. The coffin is taken into the church grounds for burial.Robey, wearing the uniform of an Army lieutenant, acts as auctioneer for a shi...
Gompers, President of the American Workers' Federation, and Hughes, Prime Minister of Australia, enter the hall where the congress is taking place, along with the delegates. Hughes poses beside women ...
French walks around the gardens of the castle shaking hands with people at the fête. Beside him is his aide, Lieutenant-Colonel Fitzgerald ('Fitz') Watt. The fête includes a display of horse jumping...
The camera, blocked by the crowd, shows only long shots and the view of the crowd from the speakers' platform, rather than the speakers themselves.The bales of hay are stacked over a considerable area...
An Austrian soldier in underwear, three Russian soldiers around him.
Reunion of families after war. In the middle stand Tomeš, Janda and Bárta in uniforms of volunteers. Women sit behind and sons talk with fathers.
Volunteer Bárta (laborer) encounters his wife.
Volunteer Janda (smith) in Italian uniform encounters his family after the end of the war.
Janda´s son in the apron and volunteer Janda in Italian uniform.
From the left: Volunteer Bárta in French uniform, volunteer Janda in Italian uniform.
Tomeš encounters his wife and son after the return from the war. Tomeš hugs his son. His wife stands nearby and smiles at Janda and Bárta.
From the left: Tomeš (Russian uniform), Bárta (French uniform) and Janda (Italian uniform). Volunteers rest during their coming home.
Thielemann, Walter: „Kinematographie und Alkoholbekämpfung.“ Der Kinematograph, 391 (1914). Bericht darüber, dass das Kino dem Alkoholismus entgegenwirke.
O. Verf.. „Kinokommission des Westfälischen Landgemeindetages.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 5 (1913/1914): 108-111. Bericht über die Arbeit der Kinokommi...
Rennert, Malwine. "Kino und Bühne. Von Willi Rath." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 46-47. Rennert lobt die neu erschienene Broschüre, stellt aber ...
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Goetz, Hans. "Kinematograph und Wissenschaft (Schluß)." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 28-32. Goetz beschreibt in seinem Artikel die neuesten Fors...
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Notes on the use of instructional and training films during World War I. The example of a film produced by Bray Studios.