Mr Hughes's train arrives at Paddington Station and he gets out, shaking hands with an honour guard of Australian troops. He meets and poses with Mrs Emmeline Pankhurst and her daughter Christabel.
The King, in naval uniform, and the Queen visit the barracks to pay tribute to the sailors and marines involved. The Queen goes inside a hospital ward to talk with one of the patients. The royal party...
Balfour talks with the local vicar, then the two go with a procession to the church graveyard. The monument has doors in the form of a triptych which Balfour opens.The Queen arrives with Princess Mary...
People surge together through the streets of central London, waving Union Jacks and cheering. Charabancs and lorries pass up the Strand, their occupants also cheering. The crowd marches up the Mall to...
The horse-drawn hearse leads a crowd of mourners, mostly civilian. The coffin is taken into the church grounds for burial.Robey, wearing the uniform of an Army lieutenant, acts as auctioneer for a shi...
Gompers, President of the American Workers' Federation, and Hughes, Prime Minister of Australia, enter the hall where the congress is taking place, along with the delegates. Hughes poses beside women ...
French walks around the gardens of the castle shaking hands with people at the fête. Beside him is his aide, Lieutenant-Colonel Fitzgerald ('Fitz') Watt. The fête includes a display of horse jumping...
The camera, blocked by the crowd, shows only long shots and the view of the crowd from the speakers' platform, rather than the speakers themselves.The bales of hay are stacked over a considerable area...
Szene aus "Was Liebe vermag"
Szene aus "Christa Hartungen"
Gustav Fröhlich, Lars Hanson (v.l.n.r.)
Szene aus "Die Topharmumie"
Luis Trenker
Lyda Salmonova
Screenshot aus "Die Lokomobil-Fabrik R. Wolf Magdeburg-Buckau"
Szene aus "Der rote Baron"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...