The handful of Turks come in from the desert and walk past a British 4.5-inch howitzer. Camels and wagons carry other prisoners across a river. A large group of the prisoners is collected together.Nur...
The open carriage with the King and Queen leaves the Mansion House with a military escort. The King is in Army uniform. The coach drives to the steps of Saint Paul's Cathedral where an honour guard pr...
There is a large crowd with a number of policemen, milling about and uncertain. The captions say they are ignoring pacifist speeches, but this is not obvious.US Navy sailors enter one horse-drawn char...
A pan over the city from across the river, followed by close-ups of the cathedral showing shell damage. According to the caption the cathedral was "spitefully shelled" by the Germans after their "defe...
The Prince is met at Dover harbour by Prince Arthur of Connaught. The two men walk down the gangplank of Prince Yorihito's ship together and salute the flags of their nations. Next, a brief, indistinc...
The film starts with a scene meant to be of the mole at Zeebrugge in 1914 (in fact showing a British Caledon Class cruiser in 1917 or 1918 at another location). The mole after the British occupation o...
The captions state that the men were attacked and set adrift by a U-boat. A pan over a posed group of the men, now back on shore in a small harbour. Some of them board the small fishing boat N232, rid...
The film starts with a declaration that the war was forced upon Britain by "Germany's sinister designs". It shows John French reviewing troops (possibly as Viceroy in Ireland in 1918, but intended as ...
Szene aus "Gebrochene Schwingen"
Lissy Arna, Luis Trenker
Fritz Arno Wagner, Fritz Métain (links), G.W. Pabst (Mitte), André Saint-Germain (1.v.r.) (Dreharbeiten)
Szene aus "Die Strafgefangene Nr. 63. Unschuldig verurteilt"
Szene aus "Dämonit"
Paul Wegener
Szene mit Carl Clewing (vorne, links)
Paul Kronegg, Traute Carlsen, Franz Herterich (v.l.n.r.)
H.v.W., Schund, Schmutz und Kino, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 255-256. Die Reaktionen auf "Fräulein Feldwebel" seien ähnlich wie die auf ...
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 368 (1914).
O. Verf.. „Mit der Kamera in der Schlachtfront.“ Der Kinematograph 367 (1914). Werbung
Ganzemüller. "Der Kino in Diensten des Bayerischen Bauernvereins." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 39-40. G. berichtet vom Einsatz des Films als Erz...
Goetz, Hans. "Kinematograph und Wissenschaft (Schluß)." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 28-32. Goetz beschreibt in seinem Artikel die neuesten Fors...
Notes on film’s potential in depicting reality with emphasis on some reels on WWI.
Notes on the use of instructional and training films during World War I. The example of a film produced by Bray Studios.