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Videos
(3074 Ergebnisse)

WAR OFFICE OFFICIAL TOPICAL BUDGET 370-2 (French version, fragment) [Main]
1918
Imperial War Museums
Weitere Titel:
- PICTORIAL NEWS (OFFICIAL) 370-2 (French version, fragment) [alternative]

The handful of Turks come in from the desert and walk past a British 4.5-inch howitzer. Camels and wagons carry other prisoners across a river. A large group of the prisoners is collected together.Nur...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 358-2 (French version, fragment) [Main]
1918
Imperial War Museums
Weitere Titel:
- PICTORIAL NEWS (OFFICIAL) 358-2 (French version, fragment) [alternative]

The open carriage with the King and Queen leaves the Mansion House with a military escort. The King is in Army uniform. The coach drives to the steps of Saint Paul's Cathedral where an honour guard pr...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 358-1 (French version, fragment) [Main]
1918
Imperial War Museums
Weitere Titel:
- PICTORIAL NEWS (OFFICIAL) 358-1 (French version, fragment) [alternative]

There is a large crowd with a number of policemen, milling about and uncertain. The captions say they are ignoring pacifist speeches, but this is not obvious.US Navy sailors enter one horse-drawn char...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 350-2 (fragment) [Main]
1918
Imperial War Museums
Weitere Titel:
- PICTORIAL NEWS (OFFICIAL) 350-2 (fragment) [alternative]

A pan over the city from across the river, followed by close-ups of the cathedral showing shell damage. According to the caption the cathedral was "spitefully shelled" by the Germans after their "defe...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 375-1 (fragment) [Main]
1918
Imperial War Museums
Weitere Titel:
- PICTORIAL NEWS (OFFICIAL) 375-1 (fragment) [alternative]

The Prince is met at Dover harbour by Prince Arthur of Connaught. The two men walk down the gangplank of Prince Yorihito's ship together and salute the flags of their nations. Next, a brief, indistinc...

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the IMMORTAL STORY OF ZEEBRUGGE [Main]
1918
Imperial War Museums

The film starts with a scene meant to be of the mole at Zeebrugge in 1914 (in fact showing a British Caledon Class cruiser in 1917 or 1918 at another location). The mole after the British occupation o...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 362-2 (French version, fragment) [Main]
1918
Imperial War Museums
Weitere Titel:
- PICTORIAL NEWS (OFFICIAL) 362-2 (French version, fragment) [alternative]

The captions state that the men were attacked and set adrift by a U-boat. A pan over a posed group of the men, now back on shore in a small harbour. Some of them board the small fishing boat N232, rid...

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WAR OFFICE OFFICIAL TOPICAL BUDGET 362-1 (French version, fragment) [Main]
1918
Imperial War Museums
Weitere Titel:
- PICTORIAL NEWS (OFFICIAL) 362-1 (French version, fragment) [alternative]

The film starts with a declaration that the war was forced upon Britain by "Germany's sinister designs". It shows John French reviewing troops (possibly as Viceroy in Ireland in 1918, but intended as ...

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Bilder
(4430 Ergebnisse)

Poručík Alexander Rjepkin - picture 53
Set photo
1937
Národní filmový archiv
Weitere Titel:
- Poručík Alexander Rjepkin - picture 53

Medium shot of Nurse Mathilde (actress: Adina Mandlová) lying in a bed with a bandage on her left elbow. Nurse Tonička (actress: Truda Grosslichtová) is standing on the left with her hand resting o...

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Poručík Alexander Rjepkin - picture 55
Set photo
1937
Národní filmový archiv
Weitere Titel:
- Poručík Alexander Rjepkin - picture 55

Medium shot of Rjepkin (actor: Vladimír Borský) standing next to a night stand in a hospital room. In the background is a window with a panoramic view of Brno.

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Poručík Alexander Rjepkin - picture 56
Set photo
1937
Národní filmový archiv
Weitere Titel:
- Poručík Alexander Rjepkin - picture 56

Wide shot of an empty city street with three-storeyed buildings on the right and urban greenery on the left.

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Poručík Alexander Rjepkin - picture 57
Set photo
1937
Národní filmový archiv
Weitere Titel:
- Poručík Alexander Rjepkin - picture 57

Medium shot of Nurse Mathilde (actress: Adina Mandlová) standing in a half opened door with her hand on the door handle.

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Za československý stát - picture 5
Set photo
1928
Národní filmový archiv
Weitere Titel:
- Za československý stát - picture 5

Three families on the villiage green after the mobilization. From the left Mrs. Bártová and her son, Bárta (laborer), Janda (smith) and Tomeš (farmer) pledge a loyalty to the idea of Slavonic unit...

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Za československý stát - picture 11
Set photo
1928
Národní filmový archiv
Weitere Titel:
- Za československý stát - picture 11

Three families on the public green after mobilization. From the left: Mrs. Bártová, Bárta and his son, Janda and his family, Tomeš and his family. Travel packages in the foreground.

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Za československý stát - picture 12
Set photo
1928
Národní filmový archiv
Weitere Titel:
- Za československý stát - picture 12

After the mobilization: women hold on men and cry. On the left Janda (smith), the second one is Tomeš (farmer).

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Za československý stát - picture 17
Set photo
1928
Národní filmový archiv
Weitere Titel:
- Za československý stát - picture 17

Farmer Tomeš and his son Jeníček with the oxcart full of straw.

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Texte
(661 Ergebnisse)

Kino, Krieg und Kirche
Article
1915
DFF – Deutsches Filminstitut & Filmmuseum

K.W., Kino, Krieg und Kirche, Der Kinematograph, 465, (1915), S. 15-16. Bericht über die preußische Generalsynode, in der das Kino als verderblich angegriffen wurde. Der Verfasser entgegnet, dass di...

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National Film G.m.b.H. "Wir Barbaren"
Review
1915
DFF – Deutsches Filminstitut & Filmmuseum

National Film G.m.b.H. "Wir Barbaren", Der Kinematograph, 439, (1915), S. 20-22. Rezension einer Komödie, die die französische Propaganda gegen Deutschland aufgreift.

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Der Kino und die Mässigkeitsbewegung
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Joniak, Nikolaus: „Der Kino und die Mässigkeitsbewegung.“ Der Kinematograph 395 (1914). Das Kino sei nicht nur kein Feind der Sittlichkeit, sondern stehe sogar der Trunksucht als Quelle aller mor...

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Kriegsbilder-Revuen
Article
1915
DFF – Deutsches Filminstitut & Filmmuseum

Kriegsbilder-Revuen, Der Kinematograph, 419, (1915), S. 13. Die Aufnahmen, die das Volk vom Krieg zu sehen bekomme, seien oft nicht informativ genug, weil sie aus Zensurgründen gekürzt seien. Es sei...

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Film- und Kinoschund
Article
1920
DFF – Deutsches Filminstitut & Filmmuseum

Jean Th. Lommen, Film- und Kinoschund, Der Kinematograph, 690/91, (1920), S. 35-41. Die Presse äußere sich vor allem negativ über den Film. Die Kritik der Kinogegner richte sich vor allem gegen Kri...

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Der Kinematograph als moderne Zeitung
Article
1913
DFF – Deutsches Filminstitut & Filmmuseum

Stein, O. Th.. "Der Kinematograph als moderne Zeitung." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 2 (1913/1914): 25-28. Stein beschreibt die Wochenschau in den Kinos als sch...

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Kinotheaterwesen und deutscher Einfluss im östlichen Mittelmeer
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

O. Verf.. „Kinotheaterwesen und deutscher Einfluss im östlichen Mittelmeer.“ Der Kinematograph 374 (1914). Obwohl es im Rahmen des Bagdadbahnprojekts zur verstärkten Gründung von Kinos durch de...

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Schliesst die Kinos nicht
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

O. Verf.. „Schliesst die Kinos nicht.“ Der Kinematograph 399 (1914): 3-4. Aufruf an die Kinoindustrie, die Kinos nicht zu schließen, da das Volk in Kriegszeiten Ablenkung brauche. Die Eintrittspr...

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