Bringing food from overseas - aerial views of a convoy, escorting cruiser USS Birmingham, and an Astre-Torres type SS airship. Unloading supplies - grain ships discharge cargo into barges. India Line ...
Some of the film comes directly, including the captions, from IWM 17 NEW CRUSADERS. Most of the segments are of only a few seconds' duration. Most of the film is of ancient ruins like Babylon and Baal...
I. (Reel 1) Mainly unrelated scenes. A British 6-inch 26cwt (?) howitzer. Turkish prisoners being searched by British troops. A dressing station with Indian orderlies, a motor ambulance and a doctor p...
The cadets are encamped near the town. They form on their grassy 'parade ground'. They march past Major-General F C Heath-Caldwell, commanding South Eastern Area of the RAF. The film jumps to their at...
The material was mainly used in the WITH THE FORCES IN MESOPOTAMIA series. It opens with two Holt tractors of 13th Indian Division hauling a 6-inch 30cwt (?) howitzer across the Narim River at Narim K...
A Short 184 some distance away from the camera comes in to land, then takes off. A PV5 seaplane taxies through the harbour, increasing speed to keep ahead of the camera boat. A Short 184 taxies around...
(Reel 1) The crew of airship SSZ28 prepares for a flight. As they wait, seated in the open gondola, they are handed a basket of carrier pigeons, the pilot is given his charts and orders, and an armour...
I (Reel 1) The opening is filmed from the river. First, Ezra's Tomb, a landmark at Qurna, about 200 km down river from Kut, followed by Qurna itself. The boat continues downstream, passing several sma...
Szene mit Henny Porten
Szene mit Alice Verden (oben, links)
Henny Porten
Szene aus "Schuldig"
Erich Ponto (links), Hedda Lembach (oben), Alice Verden, Wolfgang Filzinger (vorne, rechts)
Gustav Fröhlich
Szene aus "Auf den Trümmern des Paradieses"
Szene aus "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 633, (1919), S. 49-50. "Die Lieblingsfrau des Maharadschas" wird als sentimentaler Kitsch abgetan. "Irrungen" handle vom Kampf...
Luxor, Sylva: "Kino, Monarchie und „Vorwärts“" Der Kinematograph 389 (1914). Entgegnungen auf die Vorwürfe der sozialdemokratischen Presse, dass das Kino die Herrschaftsinteressen der Monarchie ...
Häfker, Hermann. "Der Weg zur Kinodramatik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/ 1914). H.H. erklärt den Film zu einer anderen Künsten gegenüber gleichran...
Tannenbaum, Herbert. "Probleme des Kinodramas." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 60-63. Tannenbaum erörtert die Möglichkeiten des Films und probl...
Blaschitz, Hilda. "Zum Richard-Wagner-Film." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,2 (1913/1914): 45-46. Blaschitz freut sich darüber, dass der Film "Richard Wagner" in ...