The main square of the city, soon after its liberation showing civilians milling about but no real celebrations. Some British troops, probably 57th (West Lancashire) Division, are present, eventually ...
The banks of the Neuville Canal, near Rheims, are lined with damaged houses. The glass factory at Neuvillette is reduced to rubble and a few walls. Old German dugouts and fortifications cover the area...
High-angle view onto detachment of Royal Marines drawn up on quayside - they march off, arms shouldered. Detachment passes camera, now situated in a park. Medium shot as Royal Naval Air Service person...
"U-boat's commander" (actually RN) takes bearings before submerging. Medium shot of periscope cutting the water as the U-boat approaches its "helpless victim". Merchantman sights U-boat (now surfaced)...
(Reel 1) The film starts with U-35 casting off at Cattaro (not Trieste as given) and passing the Austrian fleet at anchor. The crew of the captured SS Parkgate row to U-35 which the English captain bo...
I. Medium close-up of Pershing and Foch at Foch's HQ. Medium shot along a line of Sopwith 1F.1 Camels of No 4 Australian Flying Corps Squadron - aircraft taxi out of the line ready to take off.II. Hig...
Drifters take on provisions from depot vessel. Commander Lyne at work in his office. Drifters leave port - medium close-up of minesweeping drifter Drummer Boy, (GY.964). ML.18 approaches, and Commande...
Probably offcuts from IWM 61 WITH THE FORCES IN MESOPOTAMIA. (Reel 1) Camouflaged 60-pounder guns firing dug in. A gunner observing from a perch, possibly close to Ramadi. Indian troops unload sacks f...
Mother of Jiří Voldán (actress: Marie Ptáková) between two policemen in uniforms. Behind her stands secret policeman.
A group of civilians and policemen. In the middle stands infantryman Kubík (actor: Václav Kubásek) on suit. Next to Kubík stands a woman on skirt and shawl.
Medium close-up of Nurse Mathilde (actress: Adina Mandlová), Lieutenant Rjepkin (actor: Vladimír Borský) in uniform, and his wife Lída (actress: Marie Rosůlková). The women are looking at each o...
Panorama of the city of Brno (one of the film's settings) with the cathedral of Saints Peter and Paul on the horizon.
Panorama of the city of Brno (one of the film's settings) with a railway station in the foreground and the top of Špilberk castle on the horizon. The cathedral of Saints Peter and Paul protrudes up o...
View of a doctor's office. Dr. Šrámek (actor: František Smolík) sits at a desk and Dr. Klíma (actor: Karel Veverka) sits opposite him with the newspaper Národní politika in his hand. On the des...
Wide shot of a standing train occupied by Russian officers and regular soldiers. A group of Austrian soldiers stands in front of the train. Several of them are wearing armbands of the Red Cross.
Medium shot of an operating room. Dr. Šrámek (actor: František Smolík) stands on the left with a syringe in his hand. Next to him are Dr. Klíma (actor: Karel Veverka) and Nurse Tonička (actress:...
Julius Urgiss, Hindenburg, dem Förderer der Lichtbildkunst, Der Kinematograph, 561, (1917), S. 12-13. Lob des Generalfeldmarschalls für seinen Einsatz zugunsten des Mediums Film. Hervorgehoben wird ...
Deutsche Lichtbild Gesellschaft e.V., Die Arbeit unserer Heimarmee, Der Kinematograph, 566, (1917), S. 11.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 586, (1918), S. 28ff. Besprochen werden gleich zwei Propagandafilme zur achten Kriegsanleihe. "Lloyd George in Berlin" wird als äußer...
Messter Film GmbH, Luftkämpfe. Ein Tag bei einer Jagdstaffel im Westen, Der Kinematograph, 557, (1917), S. 3.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 473, (1916), S. 17-20. Bericht über Neuerscheinungen auf dem Filmmarkt. Bei zwei der behandelten Filme handelt es sich um Krimis, vier Komöd...
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 581, (1918), S. 28-29. "Edelsteine" wird als erstes besprochen und als psychologisch tiefgründiges Werk bezeichnet. An dritter Stelle ...
Kriegsanleihe-Filme, Der Kinematograph, 561, (1917), S. 14. Da "Der feldgraue Groschen" einen so durchschlagenden Erfolg hatte, seien noch weitere Filme zur Kriegsanleihe gedreht worden. "Hann, Hein u...
Propaganda-Filme, Der Kinematograph, 571, (1917), S. 19-20. Deutsche Propagandafilme seien noch immer den feindlichen unterlegen. Man müsse zu denselben Waffen greifen, wie es die Feinde tun und die ...