The main square of the city, soon after its liberation showing civilians milling about but no real celebrations. Some British troops, probably 57th (West Lancashire) Division, are present, eventually ...
The banks of the Neuville Canal, near Rheims, are lined with damaged houses. The glass factory at Neuvillette is reduced to rubble and a few walls. Old German dugouts and fortifications cover the area...
High-angle view onto detachment of Royal Marines drawn up on quayside - they march off, arms shouldered. Detachment passes camera, now situated in a park. Medium shot as Royal Naval Air Service person...
"U-boat's commander" (actually RN) takes bearings before submerging. Medium shot of periscope cutting the water as the U-boat approaches its "helpless victim". Merchantman sights U-boat (now surfaced)...
(Reel 1) The film starts with U-35 casting off at Cattaro (not Trieste as given) and passing the Austrian fleet at anchor. The crew of the captured SS Parkgate row to U-35 which the English captain bo...
I. Medium close-up of Pershing and Foch at Foch's HQ. Medium shot along a line of Sopwith 1F.1 Camels of No 4 Australian Flying Corps Squadron - aircraft taxi out of the line ready to take off.II. Hig...
Drifters take on provisions from depot vessel. Commander Lyne at work in his office. Drifters leave port - medium close-up of minesweeping drifter Drummer Boy, (GY.964). ML.18 approaches, and Commande...
Probably offcuts from IWM 61 WITH THE FORCES IN MESOPOTAMIA. (Reel 1) Camouflaged 60-pounder guns firing dug in. A gunner observing from a perch, possibly close to Ramadi. Indian troops unload sacks f...
Szene aus "Was Liebe vermag"
Szene aus "Christa Hartungen"
Gustav Fröhlich, Lars Hanson (v.l.n.r.)
Szene aus "Die Topharmumie"
Luis Trenker
Lyda Salmonova
Screenshot aus "Die Lokomobil-Fabrik R. Wolf Magdeburg-Buckau"
Szene aus "Der rote Baron"
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...