The British occupation of Cologne, including 1st Cavalry Division and 29th Division marching past General Sir Herbert Plumer, commanding the Army of Occupation, across the Hohenzollern Bridge, 6th-14t...
(Reel 1) General Sir Henry Horne, GOC First Army, is greeted by the GOC of the Portuguese Corps, General Tamagnini, and inspects a guard of honour which afterwards marches past. A Portuguese battalion...
The film uses actuality material backed by some acting. It begins with a WAAC recruiting march and inspection, before going on to show a girl noticing the advertisement placard for Queen Mary's Army A...
(Reel 19) The episode starts with 'Justice' followed by the badge of the British Intervention Force. The actuality material opens with British troops boarding SS Carlotta at Tilbury docks, in May 1918...
I. Training exercises of a British assault on German trenches, covered by smoke shells. The equipment, tactics and terrain are consistent with the Flanders offensive, Western Front, 1917.II. A lorry-m...
The White Star liner SS Baltic comes into Liverpool dock at 9.30am, carrying the American party. Waiting for its arrival are the Lord Mayor and Lady Mayoress of Liverpool, Rear-Admiral Stileman (the c...
The film uses actuality, graphics and animation to make the contrast between production in 1914 and 1917. (Reel 1) Factories run by the Army Training School for injured soldiers, including one run by ...
Prince Heinrich of Prussia visits the Russian Orthodox Church at Kovno (Russian Poland) after the Russian retreat of summer 1915. A beached and burnt-out Russian steamer is shown on the bank of the Ri...
Screenshot aus "En Artois. Le Drapeau de Chasseurs"
Paul Wegener, Hedwig Gutzeit
Szene mit Henrik Galeen (1.v.l.), Paul Wegener (1.v.r.)
Paul Wegener, Lyda Salmonova
Szene mit Paul Wegener (Mitte)
Filmplakat
Paul Wegener
Szene aus "Rübezahls Hochzeit"
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...