Branting is in civilian clothes without shrapnel helmet or gasmask satchel, clearly in a safe part of the area. He is escorted by a Scottish officer. Near Vimy he talks to a British sentry and two Fre...
6th Battalion, the Black Watch of 51st (Highland) Division collecting the men's packs between the Bois de Reims and St-Imoges, having just come out of line on 24 July. 1/5th Battalion, the Devonshire ...
A column of RFA limbers reloads from a dump of 18-pounder shells beside a track before moving forward (possibly near Harlincourt ?). A group of soldiers, possibly Royal Scots Fusiliers, walks in loose...
The visit was organised by the Birmingham and District Professions and General Trades Fund for the Wounded. Outside Queen's College, Birmingham, Major-General Higgins (?) inspects the Americans who pa...
III. A study of the inhabitants as they pick almonds, including a lady "of low caste" (according to the shotsheet) a girl and a veiled lady of high caste. It is not clear whether these are Jewish or M...
Headquarters rear echelon troops of Australian 1st and 2nd Divisions wait at a rail depot in bush hats and full equipment. The same men embark on a train at another place, filmed from on top of the tr...
A British military band escorts the Italians through the streets of Blackpool as civilians watch. In various scenes the Italians wear either undress uniforms with cloaks or their highly ornate full dr...
The King (in Field Marshal's uniform) with the Prince of Wales, General Sir William Birdwood and other officers inspects graves, including that of General Maxwell, on the Ypres ridges on 8th December....
Szene mit Colette Corder (vorne, Mitte)
Joe May (2.v.l.), Gustav Fröhlich (3.v.l.) bei den Dreharbeiten
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (v.l.n.r.)
Dita Parlo, Lars Hanson
Szene aus "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (v.l.n.r.)
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...