A Bristol Fighter of 4 Squadron RAF spots two 'enemy' Whippet tanks taking up position to halt the advance of 1st (Guards) Brigade, 1st Division. Oblivious of this, the Guards move towards their objec...
Four officers round a planning table decide on the offensive. A regimental colonel receives his orders outside his dugout. The bombardment starts, from rifle grenades, 58mm Crapouillot mortars, 105mm ...
Anzac Beach in July 1915 (not "May, a month after the landing". See Notes - Summary). Men of the ANZAC Corps help build Watson's Pier. Further up the beach, caves and shelters have been dug into the h...
The inmates are all women, at least some permanently invalided. They work at tables with paints and paper making the flowers.Columns of Austro-Hungarian prisoners of war march, escorted by Russian hor...
First, the arrival by car and carriage of the various mourners at the west door of Sankt Stefan's Cathedral. Recognisable among the dignitaries arriving are Archduke Joseph, Archduke Friedrich, Archdu...
Soldiers start digging a trench system and wiring up the positions. Finned mortar bombs for a 58mm Crapouillot (?) are carried forward into a front-line trench and used to bombard the German positions...
The film starts with an order of the day, in French and Flemish, from King Albert to his soldiers dated 27th September, telling them that the time for the decisive attack has come. 75mm guns start the...
Kitchener, in civilian clothes, inspects a parade of Boy Scouts. Next he arrives by car in his blue Field Marshal's uniform to inspect a parade, probably of the London Regiment, outside the Guildhall....
Szene mit Colette Corder (vorne, Mitte)
Joe May (2.v.l.), Gustav Fröhlich (3.v.l.) bei den Dreharbeiten
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (v.l.n.r.)
Dita Parlo, Lars Hanson
Szene aus "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (v.l.n.r.)
D., O.. „Pathé Frères & Co.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 149-150. Die Redaktion gibt bekannt, ab sofort die Werbung für die Firma Pathé F...
R. Genenncher, Die Internationalität des Films, Der Kinematograph, 630, (1919), S. 7-8. Entgegnung auf die Forderung nach nationaler Kunst. Es sei unsinnig, die in der Kaiserzeit vorherrschenden mona...
Robert Neulaender, Kino und Krieg, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 12, (1914/1915), S. 256-257. Die Filmberichte über das "Neueste vom Kriegsschauplatz" seien eig...