During the First World War, the Congolese army helped the British to conquer German East Africa. This film shows the return of Congolese troups after their victory in September 1916.
Touristic items on Bruges, Ghent, Oudenaarde, Ypres and Zeebrugge.
Il documentario risulta dedicato ai seguenti aspetti: paesaggi friuliani (Alpi orientali, passi, valli, laghi, paesi alpestri, laguna); monumenti e tradizioni delle varie città friulane (Aquileia, Gr...
Il documentario illustra le battaglie decisive del Carso, la difesa sul Piave, le azioni ardimentose di D'Annunzio a Vienna e dei Mas contro la marina militare dell'impero austriaco, le visioni trionf...
A film about the three friends from a village below Karlštejn castle, one of which returns home from the war as a Russian, the second as a French legionnaire and the third as an Italian legionnaire. ...
The film shots document the vow taken by Czechoslovak soldiers in Kiev on 28th September 1914, in the presence of orthodox priests, who bless the standard, into the flagpole of which two golden nails ...
In the Cadet Academy courtyard in Vienna drills are under way. The cadets present a selection of floor gymnastics. They exercise on apparatus: parallel bars, horizontal bars, vaulting horse, the rings...
Shots showing ambience of a military hospital in the time of WW1, World War One, on the territory of Austria. It is Urania Hospital. The hospital´s location is not clear from the shot. The object sta...
Exterior view of a train. Six Russian soldiers (prisoners of war) with Asian features are sitting or standing in the train's open door. Some of the soldiers are holding bread in their hands and all ar...
Wide shot of a café filled with Austrian officers. Some are sitting at tables and others are standing in the background, most of them hold glasses in their hands. Nurse Mathilde (actress: Adina Mandl...
Wide shot of an office. Dr. Šrámek (actor: František Smolík) in the uniform of an Austrian officer sits at a desk and gazes at the nurse Mathilde (actress: Adina Mandlová), who is standing on the...
Medium shot of an Austrian soldier standing with an Austrian colonel (Jaroslav Marvan), Dr. Šrámek (František Smolík), and Lieutenant Rjepkin (Vladimír Borský). The soldier is pointing his bayon...
Wide shots of an office. A group of seven Austrian officers (fifth from left is actor Jaroslav Marvan) stand at the door and look at Dr. Šrámek (actor: František Smolík), who is standing behind a ...
Wide shot of a hospital room with a group of standing patients and three military privates. One of the privates, infantryman Tlamicha (actor: Theodor Pištěk), stands in the middle and conducts as th...
Wide shot of a church interior that has been converted into a military hospital. Wounded soldiers sit or lie on hospital beds lined up along the walls. Other patients sit at the two tables standing in...
Wide shot of a hospital room where doctors are making rounds. On the left are tables with bread and carafes of water. Chairs are standing around the tables. Five doctors stand in the middle of the roo...
Rolf Randolf Film, Der Doppelmord in Sarajewo, Der Kinematograph, 670, (1919), S. 3?.
Marcell Lyon, Die Zukunft des militärischen Films, Der Kinematograph, 638, (1919), S. 7-?. Erörterung der derzeitigen Lage des Bild-und Filmamtes, das vom Arbeiter-und Soldatenrat noch immer besetzt...
W.R.. „Historische Filme.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 86. Der Rezensent führt den Film als Beispiel dafür an, dass die Filmindustrie mi...
Der ausländische Film in Deutschland, Der Kinematograph, 627, (1919), S. 7-8. Prognose, dass zwar der Anteil ausländischer Filme in Deutschland zwangsläufig wieder höher werde, aber nie wieder ein...
Traugott Schalcher, Die neue Generation, Das Lichtbildtheater, 6.Jg, Nr.22, (1914). Der Artikel berichtet von der Selbstverständlichkeit, mit der das Kino als Medium in der jungen Generation angenomm...
Rennert, Malwine. „Im Reich der Mütter.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 267-269. Rennert führt das Versagen des Kinos als Erziehungsmitt...