During the First World War, the Congolese army helped the British to conquer German East Africa. This film shows the return of Congolese troups after their victory in September 1916.
Touristic items on Bruges, Ghent, Oudenaarde, Ypres and Zeebrugge.
Il documentario risulta dedicato ai seguenti aspetti: paesaggi friuliani (Alpi orientali, passi, valli, laghi, paesi alpestri, laguna); monumenti e tradizioni delle varie città friulane (Aquileia, Gr...
Il documentario illustra le battaglie decisive del Carso, la difesa sul Piave, le azioni ardimentose di D'Annunzio a Vienna e dei Mas contro la marina militare dell'impero austriaco, le visioni trionf...
A film about the three friends from a village below Karlštejn castle, one of which returns home from the war as a Russian, the second as a French legionnaire and the third as an Italian legionnaire. ...
The film shots document the vow taken by Czechoslovak soldiers in Kiev on 28th September 1914, in the presence of orthodox priests, who bless the standard, into the flagpole of which two golden nails ...
In the Cadet Academy courtyard in Vienna drills are under way. The cadets present a selection of floor gymnastics. They exercise on apparatus: parallel bars, horizontal bars, vaulting horse, the rings...
Shots showing ambience of a military hospital in the time of WW1, World War One, on the territory of Austria. It is Urania Hospital. The hospital´s location is not clear from the shot. The object sta...
Hella Moja, Claire Selo (v.l.n.r.)
Paul Wegener
Hedda Lembach, Alice Verden (v.l.n.r.)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Szene aus "Heimkehr"
Szene aus "Der rote Baron"
Gedanken zur Lustbarkeitssteuer, Der Kinematograph, 694, (1920), S. 24-25. Plädoyer gegen die maßlos hohen Lustbarkeitssteuern, die Kulturschaffende in eine präkere Lage versetzen würden. Kino- un...
Hilda Blaschitz. „Tirol in Waffen (Andreas Hofer).“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,8 (1913/1914): 207-208. Blaschitz lobt den Film und hebt insbesondere hervor...
Emil Gobbers, Das Filmdrama im Zeichen der Revolution, Der Kinematograph, 652, (1919), S. 15-16. Der Film sei dazu berufen, die Ausdrucksform einer neuen Kunst für eine neue Zeit zu sein. Wenn sich d...
O. Verf.. „Krieg und Kino.“ Der Kinematograph 397 (1914): 3-4. Bericht, wie bislang der Film in Kriegen eingesetzt worden sei. Ratschläge an Kinobesitzer, wie sie sich zu verhalten hätten. Mutma...