I. 'THE FIGHTING DUMMY. C.S.M.I. Kenna invents a new method of teaching how to bayonet "Brother Boche".' MS of Kenna with rifle and bayonet as he dances about a dummy figure holding a wooden lance, th...
I. 'QUEEN AND MUNITIONETTES. The girl War Workers of Coventry gave Her Majesty a rousing welcome. She was deeply interested in all phases of their life.' The Queen, accompanied by company dignitaries,...
I. 'WOMEN FOR THE FRONT. Girls of the Womens Legion leaving London to take up their duties in France. They are as plucky as the men and march like soldiers.' MS as uniformed women leave building to fa...
I. 'Admiralty Official Film. "GUN POWER" The enemy has already learned how terrible is our gun power. Here the great guns of a super battleship are trained seaward where floats the greatest assembly o...
I. 'OBSEQUIES OF THE KING'S UNCLE. Prince Christian buried with full military honours in St. George's Chapel Windsor.' HA as military band (men of the 2nd Life Guards and Coldstream Guards) approaches...
I. 'NOTABILITIES. THE U-MEN AND THE MEN-U. Sir Arthur Yapp with the famous clock which registered the subscriptions during his hurricane campaign for the Y.M.C.A.' MS profile of Sir Arthur at his desk...
I. 'HOT STUFF FOR FRITZ. An ammunition train of 9.2 shells going up to the Front.' HA as train passes diagonally left to right pulling open wagons filled with 9.2-inch shells and ammunition boxes - so...
I. 'ON THE CAMBRAI FRONT. Rushing up ammunition, building new roads and consolidating our gains.' Artillery limber crosses muddy ground at the gallop, while another stands in mid-screen, apparently bo...
Hella Moja, Claire Selo (v.l.n.r.)
Paul Wegener
Hedda Lembach, Alice Verden (v.l.n.r.)
Alice Verden
"Der Golem, wie er in die Welt kam" (1920)
Szene aus "Der rote Baron"
Szene aus "Heimkehr"
Szene aus "Der rote Baron"
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...