The film shows the visit of King Haakon 7th to the city of Sandefjord in 1916.
The film gives a vivid and lively picture of landscape, buildings, industry and everyday life in the small city of Sandefjord in the southern parts of Norway.
Norwegian soldiers at military exercise in Northern Norway.
Newsreel with international and Norwegian content, among others shipbuilding, sailing, Pickford and Fairbanks' wedding, and winter sport activities.
Report from the ski jumping competition at the Holmenkollen ski jump in Oslo in 1917.
From the celebration of the Norwegian national day, the 17th of May, in the capital Kristiania, later named Oslo. The day is celebrated traditionally with choral singing, brass bands and children's ...
The film shows May Day parades and other arrangments under the auspices of the labour movement in Norway.
Two events in the city of Kristiansand around 1918: A rich Norwegian emigrant returns from America, and a memorial for sailors killed in World War I is unveiled.
Maryša (actress: Suzanne Marwille) sits on bed, Jiří Voldán (actor: Vladimír Ch. Vladimírov) in a semi-sitting position. Another man sleeps.
Two soldiers in front of the window.
Russian soldiers and masked cannon in a wood.
Jiří Voldán (actor: Vladimír Ch. Vladimírov) swears, his mother (actress: Marie Ptáková) stands nearby.
Marching soldiers and black robed woman with hat. Next to her is Jiří Voldán (actor: Vladimír Ch. Vladimírov).
A group of Austrian soldiers in front of the barracks and offircer on horseback.
Mother of Jiří Voldán (actress: Marie Ptáková) and two policemen.
Three soldiers under fire in the meadow near the wood.
O. Verf.. "Kino und Schule." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Der Kinoausschuss für Berliner Schulen habe seine Arbeit aufgenommen und veranstal...
Will Scheller, Über den Einfluss des Krieges auf die Filmkunst in Deutschland, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,10, (1914/1915), S. 197-200. Der Krieg habe die Film...
R. Genenncher, Der Film als Agitationsmittel, Der Kinematograph, 628, (1919), S. 7-8. Der Gebrauch des Films zur Propagierung politischer Ansichten sei an und für sich eine Vergewaltigung der Kunst. ...