A social drama about a friendship that is put under pressure by class differences.
Short reportage about the striking of coins in France.
Newsreel item in which mister Poultney Bigelow after his visit to Huis Doorn reads a statement about emperor Wilhelm II' s opinion about F.D. Roosefelt.
Crime film about a female thief who tries to mend her ways.
Short comedy in which Susie convinces her husband Maurice to find a job in a country far away, because family friend Anatole is harassing her. Eventually it turns out that it is Anatole who gets the h...
Mister Pijp is called up for a renewed service. Comical and romantic intrigues follow when his fianceé goes with him in disguise.
A reportage about a visit to the former German Emperor Wilhelm II (1859-1941) in Huis Doorn.
Reportage about the wedding of Princess Viktoria Luise of Germany and Prince Ernst Augustus of Cumberland.
Close-up of two faces: Lieutenant Rjepkin (actor: Vladimír Borský), in profile, and cadet Severa (actor: Stanislav Strnad), facing the camera.
Medium close-up of Adina Mandlová in the role of Nurse Mathilde.
Farewell at the train to the front. From the left - Mrs. Tomešová, Mrs. Jandová and Mrs. Bártová.
Farmer Tomeš says farewell to his son Jeníček before leaving to the front: "Remember on Blaník, liberation comes!"
A farewell on platform. From the left: family of Bárta, Janda and Tomeš. On the right side comes a dispatcher.
Before moving to the front: Janda (smith) and his wife.
Before moving to the front: Tomeš (farmer) and his wife.
Before moving to the front: Bárta (laborer) and his wife.
Behne, Adolf. „Kino und Geschichtsklitterung.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 1 (1913/1914): 15-17. A.B. beschreibt den historischen Film als Genre, das wie g...
"Hu-hu ! Wir schröcklich ! (mit'n „ö“)", Der Kinematograph, 490, (1916), S. 20(?). Entgegnung auf die Behauptungen des Abgeordneten Werner-Giessen, die Flut an Krimis in den Kinos schade der Mor...
Messter Film GmbH, Zum 70. Geburtstag Generalfeldmarschalls von Hindenburg, Der Kinematograph, 561, (1917), S. 18-19.