The past recaptured by Aldo Palazzeschi. The moody and sardonic spirit of his early youth, ironic comments about experiences with "crepuscolarism" and "futurism". His poetry carefully captures w...
Just outside the old city walls of Rome, we find a mass of washed-out houses and bumpy streets arranged in a geometrical pattern that makes them anonymous and depersonalized. The documentary fil...
The first Norwegian film with international ambitions, Thin Ice is a story of young love, corporate ambition, and a daring nighttime caper. Tom, a strapping young student, gets his dream job as an adv...
Street scenes in Bethlehem, the Church of Saint Mary, the Gardens of Gethsemane, the Via Dolorosa, the Holy Sepulchre, the Valley of Kidron and (in silhouette) a tree where, according to legend, Judas...
From 1891 to 1945, a popular form of iconography thrived next to the official one documenting Italy’s political and social life. This alternative iconography can be found in humorous and satir...
Barbarians outside: yesterday as today. Who have centuries of civilization gone by for? Not even appearance has altered the Norman in his barbarism. This great work from the Ambrosio hotbed admi...
Napoleon is called up to the army, and says goodbye to Sally, and to the people in the film studio. He leaves. But Sally quickly chases after him, and together they arrive at "Fort Skiddoo". The chaot...
The young hothead Billy is drifting into a life of crime and has a violent quarrel with his girlfriend Nelly. The lay preacher John Redmond tells Billy his life's story. Many years before, he was a we...
Szene aus "Einen Jux will er sich machen"
Szene mit Franka Potente (Mitte)
Teboho Edkins
"Family Business" (2014/15)
Mike Müller
Filmplakat
Ilse Werner
Szene mit Angelica Domröse (Mitte)
Tagesbericht Nr. 19 (03.09.1964) über die Dreharbeiten zu "Das 7. Opfer".
Rheinische Filmgesellschaft , Der letzte Untertan, Der Kinematograph, 645, (1919), S. 2. Werbung, die darauf hinweist, dass Filme wie der beworbene erst aufgrund der Aufhebung der Zensur möglich seie...
Kostümauszug für "Das indische Grabmal", Rolle "Maharadscha Chandra", gespielt von Walter Reyer.
Tagesbericht Nr. 34 (16.02.1966) über die Dreharbeiten zu "Lange Beine - lange Finger".
Zeitbericht vom 02.10.1958 von "Das indische Grabmal".
Kostümliste für "Der Czardas-König (Die Emmerich-Kalman-Story)", Dreharbeiten in Wien und Budapest.
Tagesbericht Nr. 32 (17.11.1961) über die Dreharbeiten zu "Auf Wiedersehn".