Close-up of a sergeant holding a football marked 2Y&L. Pan over the men of the battalion, lying, sitting or standing informally, with two Lewis machine guns in the front row. Two lance-corporals sitti...
(Reel 1) King George V and General Sir Herbert Plumer, commanding Second Army to which the two divisions were attached, are greeted by 30th (Old Hickory) Division commander, Major-General Edward M Lew...
The film is compiled, rather than edited, by joining together four original films. (Reel 1) First IWM 31 INLAND WATER TRANSPORT, EGYPT and IWM 2 44TH REMOUNT SQUADRON ON THE EGYPTIAN COAST. (Reel 2) F...
Colonel Samson is not clearly visible in the film. The DH4, fitted with floats and no wheels, taxies through the water behind a Felixstowe flying boat, which takes off ahead of it. The DH4 then thrott...
(Reel 1) The film's only caption, "Indian troops marching through Baghdad". They are wearing winter clothing. A British horse-drawn fire-engine leaves for a (staged ?) emergency. On the river there ar...
I. Troops and transport camels of 52nd (Lowland) Division in the streets of El Mejdel (captured 9 November) including the well inside a mosque. Part of a squadron of 1st Hyderabad Lancers riding throu...
III. A study of the inhabitants as they pick almonds, including a lady "of low caste" (according to the shotsheet) a girl and a veiled lady of high caste. It is not clear whether these are Jewish or M...
As producer, actor and filmmaker, Richard Massingham managed to combine his passion for film and medical science.
Sangay Rinchen in "The Farmer and I" (2013-16)
Andy Goldsworthy in "Rivers and Tides" (1998-2001)
Natasja Juul in "Near and Elsewhere" (2018)
Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
"Above and Below" (2012-14)
"Above and Below" (2012-14)
Tagesdisposition(01.02.1966) für die Dreharbeiten zu "Lange Beine - lange Finger".
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
Dialogliste (Auszug) von "Die Privatsekretärin".
Trailer (Entwurf) für "Liebe", handschriftlich.
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...