"Let's face the facts - even Jesus was a street perfomer". Ordene kommer fra en ung violinist, som tjener penge til sine studier ved at spille på gaden. New York er fuld af optrædende. På gader og ...
Hvad stiller en amerikansk avis op, når internettet haler ind på det trykte medie og pludselig er landets primære nyhedskilde? Folkene bag "Page one" har fået en hidtil uset adgang til The New Yor...
In Lars von Trier's comedy the owner of an IT firm wants to sell out. The trouble is that when he established his firm he invented a non-existent company president to hide behind when unpopular steps ...
Kresten, newly wed, is on the threshold of a great career success in his father-in-law's company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in...
Natasja Juul in "Near and Elsewhere" (2018)
Episode: Das Ritual
Szene aus "Noise and Resistance"
Christobal Farais, Rifka Lodeizen in"Messi and Maud" (2017)
"Above and Below" (2012-14)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Szene aus "Losers and Winners"
"Above and Below" (2012-14)
Die Eiko-Kriegswoche im Dienste der Auslandsaufklärung, Der Kinematograph, 453, (1915), S. 22. Bericht über eine Vorführung von Eiko-Wochenschaubildern vor dem amerikanischen Botschafter.
Time report, 02 October 1958, on "The Indian Tomb".
Costume list for "Der Czardas-König (Die Emmerich-Kalman-Story)".
Bergmann, Franz. "Die Konzessionspflicht Der Kinematographentheater." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 153-163. Bericht über das die neu erlassene Ko...
Daily production report No. 32, 17 November 1961 on the shooting of "Auf Wiedersehn".