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VIDEA
(71709 Výsledky)

LOCH LOMOND AND THE TROSSACHS
non-fiction / Amateur film / Educational film
1949
National Library of Scotland

Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.

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BENNO SCHOTZ: Sculptor and Modeller
non-fiction / Educational film
1973
National Library of Scotland

The sculptor Benno Schotz at work in his studio in Glasgow, and demonstrating his technique. The film examines his working methods and the themes running through his work. Much of his work is as a m...

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ELGIN CITY AND BOYS' BRIGADE
non-fiction / Newsreel
1935
National Library of Scotland

A football match between Elgin City and an unidentified team, and the Inspection and Presentation of Colours of the Boys' Brigade (Inverness Battalion).

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SOMETHING OLD NEW AND BORROWED
non-fiction / Amateur film
1959
National Library of Scotland

Various scenes of the village of Colinton from the early 1940s through to the mid 1950s.

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CHRISTMAS WITH MORAG AND LESLEY
non-fiction / Amateur film / Amateur film
1964
National Library of Scotland

Family Christmas from the mid 1960s.

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FORTH AND CLYDE CANAL, the
non-fiction / Documentary film
1970
National Library of Scotland

A history of the Forth and Clyde Canal.

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LAUREL AND HARDY VISIT EDINBURGH
non-fiction / Newsreel
1932
National Library of Scotland

Laurel and Hardy visit Edinburgh in 1932, arriving at Waverley Station, going to the North British Hotel and finally, visiting the Castle.

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HIT AND A MISS, a
Feature film / Amateur film
1954
National Library of Scotland

A comedic tale set in the garden of the Thoms' family house, on a summer's day. A group of boys playing in the garden get into trouble with a pernickety neighbour but later redeem themselves by spott...

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Obrázky
(636857 Výsledky)

Losers and Winners
Film still
2004
DFF – Deutsches Filminstitut & Filmmuseum

Szene aus "Losers and Winners"

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Near and Elsewhere
Film still
2016
DFF – Deutsches Filminstitut & Filmmuseum

Natasja Juul in "Near and Elsewhere" (2018)

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Rivers and Tides
Set photo
1998
DFF – Deutsches Filminstitut & Filmmuseum

Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)

Detaily
The Farmer and I
Film still
2013
DFF – Deutsches Filminstitut & Filmmuseum

Irja von Bernstorff in "The Farmer and I" (2013-16)

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Losers and Winners
Film still
2004
DFF – Deutsches Filminstitut & Filmmuseum

"Losers and Winners" (2006)

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The Farmer and I
Film still
25.0
DFF – Deutsches Filminstitut & Filmmuseum

Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)

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And-Ek Ghes...
Film still
2015
DFF – Deutsches Filminstitut & Filmmuseum

"And-Ek Ghes..." (2015/16)

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Above and Below
Film still
2012
DFF – Deutsches Filminstitut & Filmmuseum

"Above and Below" (2012-14)

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TEXTY
(105196 Výsledky)

Tagesdisposition für den 01.02.1966
Production material
01.0
DFF – Deutsches Filminstitut & Filmmuseum

Daily call sheet for 01 February 1966 for the shooting of "Lange Beine - lange Finger".

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Aus der Praxis
Article
1914
DFF – Deutsches Filminstitut & Filmmuseum

Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch ...

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Ansichtssache - Inhaltsverzeichnis
Book
2013
DFF – Deutsches Filminstitut & Filmmuseum
Detaily
Dialogliste (Auszug)
Dialogue list
1953
DFF – Deutsches Filminstitut & Filmmuseum

Dialogue list (excerpt) for "Die Privatsekretärin".

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Besprechungsprotokoll Kostüme
Production material
DFF – Deutsches Filminstitut & Filmmuseum
Detaily
Kritik aus Casseler Tageblatt (19.10.1916)
Review
19.1
DFF – Deutsches Filminstitut & Filmmuseum
Detaily
Trailer (Entwurf)
Advertising material
1956
DFF – Deutsches Filminstitut & Filmmuseum

Trailer (draft) for "Liebe", handwritten.

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"Ueberhaupt und so...."
Article
1920
DFF – Deutsches Filminstitut & Filmmuseum

"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...

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