The ceremony takes place in a field, with men of Plumer's staff watching as he pins medals for bravery onto women officers of the Queen Alexandra's First Aid Nursing Yeomanry and the Voluntary Aid Det...
The workforce is mainly women working at benches or on production lines. They test rubber mouthpieces for leaks with a probe. They test the expiratory valves in the same manner. The corrugated tubes a...
III. A study of the inhabitants as they pick almonds, including a lady "of low caste" (according to the shotsheet) a girl and a veiled lady of high caste. It is not clear whether these are Jewish or M...
I. Columns of British companies march into the city on 18th October. They are Liverpool Irish, otherwise 8th Battalion, King's (Liverpool Regiment) of 57th (West Lancashire) Division. The men carry fl...
I. The film contrasts quotes from a German newspaper given as 'Westphalia Daily News' reporting the damage or destruction of prominent landmarks in the centre of London with film of those places taken...
I. The film opens as the Queen leaves a factory escorted by a mayor. It jumps to her inspecting Royal Marines and Royal Navy ratings drawn up at Chatham. The King is also present, in naval uniform. Th...
(Reel 1) Food, fodder and equipment are unloaded at a railhead freightyard, and put into motorised and horse-drawn vehicles for the trip up to Mount Tonale and the River Piave valley. The convoys move...
The R36 is nose-forward in its shed. Workers turn a large capstan to wind back the doors of the shed and the airship is towed out. It is clearly marked as R36 and as G-FAAF. It takes off from its laun...
Australian soldiers, probably of 5th Division, at the south end of the Saint Quentin tunnel at Bellicourt. A temporary bridge has been built just below the tunnel entrance. A view, from on top of the ...
Australian troops practising bomb (hand grenade) throwing from slit trenches. The explosions are filmed at various angles and distances. The 'cup final' of 7th (Meerut) Division football championships...
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
Views of Baghdad and Babylon in Mesopotamia and of Baalbec on the Palestine Front, 1918.
Natasja Juul in "Near and Elsewhere" (2018)
Irmin Schmidt in "Can and Me" (2022)
"The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)