I. '"BOYS" OF THE OLD BRIGADE. Chelsea veterans reviewed by General Lyttelton on Foundation Day.' Chelsea pensioners in their formal tricorn hats march out to be inspected by the Elderly General Lytte...
In World War I, Romania is still neutral. In Bucharest, people demonstrate for entering the war alongside the Entante and freeing the Romanians from Transylvania. Mares, the leader of the Students’ ...
Gitta, a young woman who used to be a famous primadonna before her marriage, abandons her husband and her son for the sake of the theatre and goes to Russia with an actor, Vándori. She performs in ca...
Deutschland in der Vorkriegszeit: Landwirtschaft, Schwerindustrie, Hafenbetrieb; Rüstungsindustrie bei der Fa. Krupp, Bau von Geschützen und Einschießen auf dem werkseigenen Schießplatz; Flottenm...
Coverage of the 10th Pilgrimage of the Yser in Diksmuide. All pelgrims gathering at the central market square and around the Yser Tower to commemorate the Flemish military victims of the First World W...
An episode of the glorious patriotic series, born after the Armistice: the martyrdom of a girl from Marcinelle, shot by a German soldier because she threw her brioche at a starving soldier in captivit...
The very height of the patriotic film, including authentic footage, about the background and distribution of the Belgian newspaper 'La Libre Belgique' during WOI and Gabrielle Petit's part in the resi...
Documentary about a cooperative society established in 1914 by the municipalities in the Brussels region. The objective was to guarantee its population to provide everyone with meals during the years ...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Kickhöffel. „Deutschtum und Kino.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, III, 11/12 (1913/1914): 271-273. Der Autor beruft sich auf den Ausspruch Rathenaus, dass „das...
Dr. Willi Warstatt, Der patriotische Film, wie er ist und wie er sein könnte, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 109-111. Bisherige patriotische Fi...
L.B, Gegen die Polizei-Zensur !, Der Kinematograph, 679/80, (1920), S. 51-53. Bericht über eine Protestveranstaltung der Deutschen Filmgewerkschaft in Berlin. Es sei noch nie so viel zensiert worden ...
R. Genenncher, Die Amerikaner, Der Kinematograph, 658, (1919), S. 19-20. Die amerikanische Filmindustrie sei vergleichsweise konservativ und bringe noch immer ähnliche Filme hervor, wie vor zehn Jahr...