One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd between 1954 and 1961, it includes a tea party for members of staff held at Turnberry Hotel where they also play golf for the inter-...
One of a series of 20 films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961, it features the Babcock and Wilcox tower crane involved in building the new sports stadium, Crystal Palace, ...
One of a series of twenty films made for Babcock and Wilcox (Steam) Ltd. between 1954 and 1961, it looks at the Scottish Gas Board Works at Westfield and ferries using Babcock and Wilcox steam engines...
One of a series of 20 films made for Babcock and Wilcox between 1954 and 1961, it illustrates the firm's involvement with atomic power and their construction of a reactor pressure vessel at Hinkley Po...
Steel making processes at Glengarnock Iron and Steel works.
The Forth and Clyde Canal's operations on its last year of use.
Hostels at Loch Ard, Inverbeg and Rowardennan, with footage of hostellers climbing Ben Lomond and the Cobbler, canoeing on Loch Lomond and enjoying a dance.
The sculptor Benno Schotz at work in his studio in Glasgow, and demonstrating his technique. The film examines his working methods and the themes running through his work. Much of his work is as a m...
Irmin Schmidt in "Can and Me" (2022)
Sangay Rinchen (on the right) in "The Farmer and I" (2013-16)
Christobal Farais, Rifka Lodeizen in "Messi and Maud" (2017)
Maartje Pasman, Enrique Fiss in "Near and Elsewhere" (2018)
Veronica Ferres, Michael Shannon in "Salt and Fire" (2015/16)
Szene mit David Thornton
Anke Bak in "Wood and Water" (2021)
Thomas Riedelsheimer (in the middle), Andy Goldsworthy (on the right) on the set of "Rivers and Tides" (1998-2001)
O. Verf.. „Wo steht dieses Inserat?.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. Angeführt wird ein Inserat aus dem „Kinematograph“, in dem Fillme...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Internal correspondence regarding the shooting for "Liebe".