On board of a German battleship.
A report about the celebrations for the thirtieth wedding anniversary of the Van den Bergh family.
Short reportage about seaplanes, stationed on an aircraft carrier. On the ship the seaplanes are repaired and getting ready. The seaplane is being lifted on board and takes off. Subsequently aerial sh...
Short comedy about two neighbour children from different social environments, Fritz en Mädi, during the First World War. They are bragging about their fathers who are returning from the war, and play...
Reportage about a group of soldiers on expedition in a snowy mountain landscape.
Short film in which Barbara's father is killed during a raid of the Vandals. When Barbara and the other women are threatened, she throws a box with explosives to the attackers, which causes their deat...
Comedy in which two friends, who are both lieutenants, try to find favour with Fifi, who owns a fashion boutique in a garrison town. The two friends, who are both married to a daughter of the general,...
Reportage about Austrian war ships and submarines. Images of life on board of the ship 'Tegetthof', navigation (with log and sextant), signals with flags, a torpedo boat flottilla at full speed and t...
Still from "Der Feind im Land"
Still from "Der Geiger von Meißen"
Still from "Der Schwur der Renate Rabenau"
Lyda Salmonova, Paul Wegener
Paul Wegener
Still from "Der Film von der Königin Luise. 2. Abteilung: Aus Preußens schwerer Zeit"
"Der Golem, wie er in die Welt kam" (1920)
Film poster
Die Kommunalisierung, Der Kinematograph, 672, (1919), S. 32-33. Plädoyer gegen die Pläne der Verstaatlichung aller Kinos. Die Verstaatlichung schade nur dem Staat, blähe die Bürokratie unnötig au...
Warstat, W.. „Kino und Schule. Von Prof. Dr. A. Sellmann.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 116-117. Der Rezensent sieht die Verwendung von Filmen...
Kriegsecho in der Kinomusik, Der Kinematograph, 411, (1914), S. 18-19. Bericht über die musikalische Untermalung von Kriegsaufnahmen durch die Kinoorchester, die oft als störend empfunden würden.
R.Genenncher, Der Aufklärungsfilm, Der Kinematograph, 669, (1919), S. 16. Der Aufklärungsfilm habe seine Hochzeit hinter sich. Dem eigentlich hohen und lobenswerten Anliegen des Genres habe es gesch...
Felix, F.. „Die Kinematographie der Töne.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 78-79. Meldung über erste Versuche, Film-und Tonaufnahmen zu sync...