French language version of a newsreel item on a munitions workers' fête at Saint Helens, April 1918.
French language version of a newsreel item on British troops sitting and eating bread and jam "with proverbial coolness", Western Front, May 1918.
German language version of a newsreel devoted to a review of the British Empire's war effort, 1914-1918.
I. German language version of a newsreel item on Irish fishermen rescued after a U-Boat attack, July 1918. II. German language version of a newsreel item on soda-water production for British troops in...
I. Newsreel item showing the remains of the Cloth Hall and water tower at Ypres, Western Front, March-April 1918. II. French language version of a newsreel item on the Earl of Scarborough inspecting 1...
I. French language version of a newsreel item of an Arab camel train in the deserts of Palestine, late 1917.
French language version of a newsreel item on the state opening of Parliament by King George V, London, 7th February 1918.
I. French language version of a newsreel item on British soldiers chasing and catching turkeys for Christmas at a French farm while the farmer's wife watches, December 1917. II. French language versio...
Alice Verden
Still from "Störe nicht die Flitterwochen"
Szene aus "Das Geheimnis des Ingenieurs Branting"
Lyda Salmonova
Still from "Paragraph 80, Absatz II"
Still with Alice Verden, Erich Ponto (both on the left)
Still with Alexander von Antalffy (on the left)
G.W. Pabst (Mitte), André Saint-Germain (rechts) (Dreharbeiten)
O. Verf.. "Kino-Kritik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 68-69. Obwohl immer wieder Forderungen nach der Hebung des Niveaus im Kino laut würden, ...
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 652, (1919), S. 21. "Die Welt, der große Kuppler" wird als kitschig und misslungen bewertet, ebenso "Die Postanweisung". "Ich...
F. Felix, Krieg den Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 4/5, (1914/1915), S. 91-93. Polemik gegen die Verarbeitung der Kriegsereignisse im Film und gegen...