On September 30, 1919, Armenian volunteers march in the rain at Invalides to commemorate having fought at the Allies' side during World War I. A camera operator films the scant crowd.
In 1917, Chinese workers who have come to France to support the Allies in the war effort, move forward in a line then disperse, as some civilians look on.
In August 1918, during World War I, Parisians can protect themselves from bombings by German Gothas by hiding in public shelters with varying capacities. To prevent glass from falling, shops and depar...
In August 1918, during World War I, the city of Havre is a swarm of activity. The naval base of the Belgian, British, and American forces, many soldiers transit through this city. At the port, shuttle...
In January 1921 in Paris, many unemployed workers stand in line in front of a soup kitchen. A police officer makes sure that the line is organized and functioning smoothly.
In the Renault factory's Parisian workshops, the workers carry out their respective tasks. A foreman helps a woman perform a maneuver that requires strength. At the end of the day, the workers leave e...
This documentary shows the air raid undertaken by Gabriele D’Annunzio over Vienna on August 9th, 1918, to drop propaganda leaflets over the enemies. The documentary is made of real images taken from...
Synopsis: A student – Tammekänd, blacksmith – Laansoo and a farmhand – Lepik battle for their country in the Estonian War of Independence. An adventurous story with exciting battle scenes, come...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...