During the war, from 1914 to 1918, a cable-operated funicular railway built by the company Etcheverry is loaded with boxes of ammunition and tested in the open countryside at ground level and over wat...
In Vincennes, the members of the Studies and Technical Experiments section of the Invention Department attend the test destruction of barbed-wire networks by a Latil tractor. In a meadow on the outski...
An account of the Battle of Verdun through a montage of archive images, to the glory of the soldiers.
Raymond Poincaré visits Russia from July 13 to 23, 1914. Arriving in a yacht, the Tsar and Raymond Poincaré inspect the troops, greet the Empress, then attend a parade of artillery, Cossacks, and th...
In 1921, following the World War I armistice, the Allies occupy a section of German territory in order to obtain war reparations. The French troops are situated in the Rhenish territory, whose first F...
In 1917, in Paris, the sidewalks in front of the movie theaters are packed. On a quieter street, two soldiers from the colonial forces negotiate with a prostitute in front of a brothel.
In 1917, during World War I, street vendors sell the contents of their carts in the streets of Paris.
On July 4, 1920, at Iéna Square in Paris, officials place flowers a the foot of Washington's statue then give speeches. Next, troops march down President Wilson Avenue and war orphans parade down Cha...
Still with Colette Corder (front, in the middle)
Joe May (second from the left), Gustav Fröhlich (third from the left) on the set
Henny Porten
Lyda Salmonova, Paul Wegener
Olga Engl, Henny Porten (from left to right)
Dita Parlo, Lars Hanson
Still from "Der Herzog von Reichstadt"
Pola Negri, Paul Wegener, Jenny Hasselquist (from left to right)
Dehnow, Fritz: „Zensur und Sittlichkeit“ Der Kinematograph 382 (1914). Die Mängel der Zensur lägen nicht in den Gesetzen, sondern in deren Anwendung. Die Zensur sei aber notwendig, um die öffen...
Horst Emscher, Der Film im Dienste der Politik, Der Kinematograph, 410, (1914), S. 15-16. Der Autor hebt hervor, dass die Kriegsführung auf publizistischer Ebene, mit der die Meinung des Auslands bee...
Edgar Költsch, Die Vorteile durch den Krieg für das Kinotheater, Der Kinematograph, 407, (1914), S. 11-12. Auch wenn es nicht so aussehe, habe das Kino durch den Krieg einen Aufschwung erlebt. Insbe...