(Reel 1) "Mr Briton" is a pillar of the community, with a wife and daughter, a cook, a maid and a gardener. His son Tom is with the Army in France and his daughter Mabel is an Inspector of Female Labo...
The raw material - close-up of a piece of concrete held in the hand. Travelling medium shot from a train pulling into a siding at the shipyard - seven months ago the area "consisted of open fields". P...
Harbour scene with mountains in the background. Steam launch comes alongside towing five ship's boats crowded with ratings and marines. Local people watch as the sailors disembark. Crowds pass waterfr...
Medium shot view fine on starboard quarter of HMS St Vincent with main yards set. Mainsail clewed up. Main topgallant sail furled in a body. Main topsail scandalised - yard lowered and reef tackle hau...
The camera position looks over the Queen Elizabeth's quarterdeck towards the stern. Wilson comes up the ship's ladder and shakes hands with Beatty. It is an informal, working meeting. The rest of the ...
One of the officers plays briefly outdoors with a parrot on its perch. Two officers with a theodolite on a tripod survey the area. Indoors a RNVR lieutenant makes fine adjustments to a set of scales b...
The airship is shown nose-out in its hangar with the frame of another rigid airship being built beside it. The groundcrew leads the R27 out to its launch ground. The camera gets in close to show the l...
The British patrol lies in a slit trench beside its Rolls-Royce Silver Ghost armoured car. The captured spy sits on top of the car's bonnet and is questioned by an interpreter.
I. Newsreel item o...
Alice Verden, Erich Ponto
Paul Wegener, Lyda Salmonova
Screenshot from "Guerre 1914-1915. Le General Joffre en Alsace"
Still from "Der Graf von Cagliostro"
Screenshot from "Mit L.35 über Berlin und Potsdam"
Paul Hartmann, Adolf Klein (from left to right)
Ossi Oswalda, Julius Dewald
Film poster
P., E.. „Französische und englische Films!.“ Der Kinematograph 400 (1914): 7-8. Der Verfasser behauptet, das Filmwesen sei von französischen Agenten beeinflusst. Jahrzehntelang hätten französi...
Righi, Amalia. "Das Neue im Kino." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 173-174. Kurze Abhandlung über das Kino und das Theater. Besonderer Erwähnung fi...
Aus der Praxis, Der Kinematograph, 407, (1914), S. 18-22. Das Filmen auf dem Kriegsschauplatz sei nur noch mit Genehmigung des Generaltstabs erlaubt. Kommentierung vom Kriegsaufnahmen in Kinos durch â...
"Ueberhaupt und so....", Der Kinematograph, 717, (1920). Polemik anlässlich einer Reichstagsdebatte, in der das Kino als Hauptdarsteller pronographischer Kunst bezeichnet wurde. Zitiert werden die Au...