I. (Reel 1) The Western Front 1916, re-edited sections of IWM 116 BATTLE OF THE ANCRE, using the same scenes and captions as the original, but not in the same order. This covers events in the middle p...
A schoolmaster drives a tram as a part-time job. Other men board lorries taking them to work part-time on farms on Sundays. They are "of all classes, from lawyers to navvies". People without local all...
The film stresses the need for part-time work to win the war. A schoolmaster drives a tram. Ladies make bandages, limb supports and other hospital items. Carpenters make crutches. Elderly part-time wo...
Several shots of pigs feeding from troughs (some but not all of these shots are used in IWM 447B). Various shots of people making bandages, artificial limbs and crutches (most material used in IWM 447...
The funeral of a nurse killed when one of the British military hospitals in France was bombed (deliberately, according to the film) by the Germans in their March offensive. The caption style which is ...
The film opens with Oxford Street in London and declares that "luxury shopping" is not helping the war effort. This is contrasted with the ways in which women do help: a mother looking after her two s...
The film opens with a German jackboot across the map of Alsace-Lorraine. An old couple in Alsatian costume read the news of the annexation and bemoan their fate while German officers strut outside the...
The young woman leaves her terraced house (section tinted blue) at 5am and takes the train to the factory (tinting ends). In the locker room she and the others change into overalls and boots, and cloc...
Still with Henny Porten
Still with Alice Verden (top, on the left)
Henny Porten
Still from "Schuldig"
Erich Ponto (on the left), Hedda Lembach, Alice Verden, Wolfgang Filzinger (front, on the right)
Gustav Fröhlich
Still from "Auf den Trümmern des Paradieses"
Still from "Der Film von der Königin Luise. 3. Abteilung: Die Königin der Schmerzen"
Stern-Film, Alkohol, Lichtbildbühne, 49, (1918), S. 69.
O. Verf.. „Der Mangel an Aktualitäten.“ Der Kinematograph 400 (1914): 3-4. Artikel, der den Mangel an aktuellen Aufnahmen aus dem Krieg beklagt. Der Krieg sei die richtige Gelegenheit für die Pr...
Elster, Alexander. "Kinogewerbe und Kinokunst." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,7 (1913/1914): 172-173. Die wirtschaftliche Lage des Kinogewerbes verhindere eine kÃ...
Die Verfilmung von Königlichen Lazarettbesuchen in der "Eiko-Woche", Der Kinematograph, 441, (1915), S. 10. Bericht über die Absicht de Eiko-Woche, nicht nur Kämpfe zu filmen, sondern auch das mili...
Das neue Filmzensurgesetz, Der Kinematograph, 692/93, (1920), S. 15-17. Bericht über das am 15.4.1920 erlassene Filmzensurgesetz. Das Erlassen des Gesetzes bedeute einen schwarzen Tag für die deutsc...
Englische Beobachtungen im Berliner Kino, Der Kinematograph, 421, (1915), S. 27. Bericht, der aus der Londoner "Daily Mail" zitiert wird und die Eindrücke eines englischen Reporters von einer Wochens...