The airmen are shown seated with civilians, possibly in the hall of Queen's College, Birmingham, and then formed up to enter the building. A pan over a group of civilians, probably the organisers of t...
The first boat, a steamer, tows two barges, followed by a Victoria Shipping Line steamer 'pushing' its barges. A small steamer, marked as S35, and two melon boats pass through a swing bridge. Two conv...
The film has a very brief unrelated shot of three naval officers at its start. The remainder shows Mark V tanks moving down a dusty road through a damaged village. As they move out of the village the ...
The train consists of two open-sided trucks, guarded by British soldiers of the Machine Gun Corps. Four of these soldiers go up to one of the trucks, clearly marked with a Red Cross on its roof, and t...
A British soldier walks through a forest of long, hooked metal poles set in concrete, probably as a form of reinforcement. A barbed wire entanglement more than fifty metres deep. An RAMC man emerges f...
The procession is led by a car covered in Union Jacks. It includes a military band, a mock stagecoach, more cars, a display of troops marching, military cadets, the 6-inch howitzer drawn by a camoufla...
One of the guests gets out of a car outside the main door of the house. The car, along with another, leaves through the gates. A further party of four guests emerging from another car is greeted by tw...
Three members of the section, all from different regiments, use gas cylinders from a portable trailer to inflate two small weather balloons, using a lead weight to determine the gas pressure of each b...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
Oscar Geller, Detektiv-Filme, Der Kinematograph, 593, (1918), S. 21-25. Eröterung der Krimiwelle. Man könne Krimis nicht einfach als Schund abtun. Auch wenn viele der frühen Krimis, maßgeblich aus...
Argus, Der rasende Roland von Euskirchen, Der Kinematograph, 582, (1918), S. 6. Entgegnung auf Vorwürfe des Euskirchener Volksblattes, das Kino sei sittenverderbend. Der Schriftleiter Werner Rats kö...
Der Lustspielfilm, Der Kinematograph, 490, (1916), S. 17-18. Bericht über die große Zahl an Komödien, die in den letzten Monaten erschienen seien.
Argus, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 562, (1917), S.18-27. Die Messter-Film-Aufnahmen vom Luftkämpfen stehen an erster Stelle und werden als sensationell bezeichnet.
Universum Filmverleih, Der ewige Frieden Pax Aeterna, Lichtbildbühne, 48, (1918), S. 68
Neutral Film, Die Welt ohne Hunger, Lichtbildbühne, 48, (1918), S. 3.
Kriegsanleihe-Filme, Der Kinematograph, 562, (1917), S. 28. Der Film "Der papierene Peter" wird als humorvoll und originell bewertet und werde seinem Zwecke gerecht.
Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 559, (1917), S. 12-13. Rezension des von der Bufa herausgebrachten Films über den U-Boot-Krieg.