The battalion signallers form up in the courtyard and practise their semaphore. A company on parade fixes bayonets and is inspected by its company officer, following which the men march off. Men pract...
A young lady sits at her breakfast table drinking tea and reading the morning paper. She reads of a heavy fine imposed on someone caught watering nursery milk, and conjures up a vision of a sick child...
An unfinished stable at the hospital, "will you help the RSPCA to complete it ?". A group of three horses. A wounded horse being attended to at a mobile veterinary section near the front. Wounded hors...
The British reverse their Mark V Male tanks into a courtyard in the centre of the city, to the interest of the civilian crowd. The men perform maintenance on their tanks, while soldiers and armed Germ...
Film fragment of an Australian convoy of wounded on mule-drawn litters, led by a mule-drawn ambulance, making its way over dusty hills, possibly Palestine, 1916-1918.
A semi-posed group of Greek soldiers watches the camera in the centre of the town. The main post office is shown, guarded by Allied troops of varying nationalities, mainly French.
Newsreel item o...
A Serbian officer scans the distance with binoculars as the French gunners set the fuses on their field gun's shells and fire a round. (The caption says the gun is a 75mm, but it appears to be an obso...
The men prepare to fire the gun, elevating the barrel. Then they are shown posed for the camera standing on and around the gun.
American gunners with a French 400mm railway gun, probably near Mai...
Dita Parlo, Gustav Fröhlich
Still from "Die einsame Insel"
Fritz Huf
Arthur Ehrens, Paul Wegener (from left to right)
Still from "Die Statue"
Luis Trenker
Szene aus "Der rote Baron"
Henny Porten, Lupu Pick
O. Verf.. "Kino-Kritik." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III, 3/4 (1913/1914): 68-69. Obwohl immer wieder Forderungen nach der Hebung des Niveaus im Kino laut würden, ...
Egon Jacobsohn, Neuheiten auf dem Berliner Filmmarkte, Der Kinematograph, 652, (1919), S. 21. "Die Welt, der große Kuppler" wird als kitschig und misslungen bewertet, ebenso "Die Postanweisung". "Ich...
F. Felix, Krieg den Kriegsdramen, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV, 4/5, (1914/1915), S. 91-93. Polemik gegen die Verarbeitung der Kriegsereignisse im Film und gegen...