Limbered 77mm field guns pass at the trot, then halt for the crews to dismount. The caption points out that German NCOs lead each column. A posed group of senior officers, including one German in Turk...
The brigade, raised in Camberwell, parades through the streets on its way to join 33rd Division at Bulford. The streets are lined with people as the limbers move past.
Newsreel item on CLVI Briga...
The aircraft, a Rumpler Taube reconnaissance plane, has been brought down virtually intact, and lies guarded by French soldiers in the middle of a square. Curious Greek civilians surround it.
New...
The film starts with the four-man aircraft crew posed at the water's side in Kristianiafjord, with the two pilots, Captain S D Scott and Major C J Galpin, in the centre. Their flying-boat, a Felixstow...
The ship's hull, described as a "USA Mammoth Warship", comes down the slipway and into the water. It has yet to be fitted out (see notes).
Newsreel item on a launch at the New York Navy Yard, Bro...
Spectators watch as engineers complete the fitting of the tank's tracks for its rough ground tests. It drives up and down slopes, over frozen puddles, and across railway lines. Then, with the tracks a...
Over the rough ground of the foothills the British drive their tanks, the Light Tank Mark IIB. In close-up, the turret of one tank opens and the commander (wearing a special tanker's helmet) emerges t...
A line of Vickers Medium Mark I tanks, almost wheel-to-wheel, "greatly improved and much speedier than those in the Great War". A Dragon tows an 18-pounder Mark IV field gun along a road. At a field b...
Screenshot from "En Artois. Le Drapeau de Chasseurs"
Paul Wegener, Hedwig Gutzeit
Still with Henrik Galeen (first on the left), Paul Wegener (first from the right)
Paul Wegener, Lyda Salmonova
Still with Paul Wegener (in the middle)
Film poster
Paul Wegener
Still from "Rübezahls Hochzeit"
O. Verf.. "Kinematographische Landesreklame." Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,6 (1913/1914): 150. In Italien werde der Film als Werbemittel zur Ankurbelung des Tour...
Berthold Baer, Wie lange noch ?, Der Kinematograph, 415, (1914), S. 21-22 Klage über einseitig deutschenfeindliche Kriegsberichterstattung in amerikanischen Kinos. Forderung nach deutschen Aufnahmen,...
Mit der Kamera in der Schlachtfront.“ Der Kinematograph 397 (1914): 7. Werbeanzeige, die die Bedeutung der Filmaufnahmen gerade angesichts des drohenden Krieges hervorhebt.
Hellwig, Albert. „Die Plakatzensur in Preussen.“ Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie III,5 (1913/1914): 104-106. Rekapitulierung der Rechtslage zu Filmplakaten.
O. Verf.. „Mars regiert die Stunde.“ Der Kinematograph 397 (1914): 5-8. Aufruf an die Kinoindustrie, sich angesichts des Krieges in die Dienste des Vaterlandes zu stellen. Vorschlag, möglichst ak...
Hermann Häfker, Berliner Höhe, Bild & Film. Zeitschrift für Lichtbilderei und Kinematographie, IV,6, (1914/1915), S. 127-129. Das Kino sei auf einem Tiefpunkt angelangt. Kriegsfilme wie der besproc...